A work in constant progress (and occasional regress).
Birthplace:
Kyiv, Ukraine
Mila Teshaieva is an award winning photographer, artist and a documentary filmmaker. Since 2004 Mila has been engaged into long-term projects on the territories of former USSR, in particular, she dedicated many years working in the Caucasus and Caspian Sea region. This work has resulted in her first monograph Promising Waters that was published with Kehrer Verlag in 2013, and book “Faces and Stories of Entrepreneurs”, which she was commissioned and published by Swiss Development and Cooperation in 2015. Mila’s work has received multiple distinctions for her work, among them 1st prize in NPPA Best of Photojournalism 2010, Critical Mass Book Award and PDN Photo Annual and appeared on the pages of Courier International, British Journal of Photography, Time Magazine Lightbox, among many others. Her projects were exhibited internationally, with the most recent solo exhibitions in Museum Art of West Coast (Föhr 2016), Haggerty Museum of Art (USA 2015), Blue Sky Gallery (USA 2015) Photoquai Biennial 2015 and are kept in multiple public and private collections. Mila's two documentary films on the Russian aggression war in Ukraine - When spring came to Bucha (2022) and Shards of Light (2025) - were shown on a number of international film festivals all over the world.
Director:
2022 When Spring Came to Bucha
2025 Shards of Light
Producer:
2022 When Spring Came to Bucha
2025 Shards of Light
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.