A work in constant progress (and occasional regress).
Birthplace:
Chartres, Eure-et-Loir, France
Born:
October 14, 1980
Audrey Marnay is a French actress and model. She was born on October 14, 1980, in Chartres, Eure-et-Loir. Marnay was born in Chartres, department of Eure-et-Loir on October 14, 1980. At the age of 15, Marnay started working at a modeling agency in Paris. A year later, she was named top model and was featured on 32 pages and the cover of Vogue Italy, photographed by Steven Meisel. She has also been featured on the pages and covers of Vogue, Elle, Harper's Bazaar, and luxury brands such as Chanel, Versace, Lanvin, Calvin Klein, Valentin, and Longchamp. She has worked with directors including Patrice Leconte, Raoul Ruiz, David Foenkinos, Stefan Liberski, Arielle Dombasle, and Cedric Klapisch. In 2014, George Clooney selected her to star in his movie The Monuments Men. Marnay is involved in multiple creative pursuits: in fashion (capsule collections for Claudie Pierlot), jewelry design (Etername), and singing (Alain Chamfort Manureva), and she is the muse for Air in their video clips. The French artist Pierre Huyghe cast her in The Host and The Cloud. Marney became the spokesperson for “Les Enfants de Bam” in 2010. In 2021, Marnay revealed herself as the woman depicted in the iconic cover artwork for the 2001 album Jane Doe by metalcore band Converge, claiming in an Instagram post that a photograph of her from the May 2001 issue of Marie Claire Italy magazine taken by Dutch fashion photographer Jan Welters was the original source artwork used by Converge vocalist and cover artist Jacob Bannon. Source: Article "Audrey Marnay" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.