Home

Christian Laursen

Alias:
Christian Houge Laursen

Biography from TheMovieDB

Christian Laursen is responsible for everything technical and creative. With many years of experience as a cinematographer, he has a wide range of expertise - and he is therefore familiar with the workflow both in major fiction productions, documentaries and everything in between. Christian was lead cinematographer in the production of the documentary Unrest, which had a world premiere at the Sundance Film Festival in 2017, where it won the audience award. In 2018, the documentary was shortlisted for an Oscar and in 2019 nominated for an Emmy.

In 2017, Christian won the prize “Best Cinematography” at Tacoma Film Festival for “Forever Now”, a film that also won the “Grand Jury Prize” at SxSW in 2017. Participating in big advertising productions has recently brought Christian all over the world. He primarily works as the shoot director, meaning that he has been in charge of narratives and visual expression. Christian possesses the natural talent of being both patient and highly effective. He is a perfectionist when it comes to composition, light and aesthetics and his work sets a high bar for production quality.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.