A work in constant progress (and occasional regress).
Alias:
Killer Sally
Sally Dempsy
Sally McNeal
Birthplace:
Allentown, Pennsylvania, USA
Born:
September 30, 1960
Sally Marie McNeil (born September 30, 1960) is an American former sergeant, professional female bodybuilder and muscle worship practitioner, who was convicted for the murder of her husband Ray McNeil, a Mr. Olympia competitor. McNeil was granted parole in 2020 and now lives a private life. McNeil settled in Oceanside, California in 1990 with her husband, Ray, and the two children. Both McNeil and Ray had hoped to become professional bodybuilders, however the expenses were too high to maintain for both. McNeil began a career wrestling men on video for $300 an hour, earning her the moniker Killer Sally. She was trained by videomaker Bill Wick, who was the husband of Kay Baxter. She also worked as a female submission wrestler doing private wrestling sessions with men. While the act was inherently sexual for the buyer, McNeil denies ever having sexual relations with them. She did not enjoy the work, but said the money was good enough to outweigh the "dark side." She was making enough money to enable Ray to leave the Marines and concentrate on his own bodybuilding career. McNeil claimed and maintains that she shot Ray in self-defense when he, spurred by roid rage, began choking her after she accused him of adultery. The police transcript reads that Ray, "slapped her, pushed her down on the floor, and started choking her. McNeil squirmed away, ran into the bedroom, and took her sawed-off shotgun out of its case in the closet." McNeil then shot Ray twice: once in the abdomen and once in the jaw. The defense argued that McNeil suffered from Battered Woman Syndrome after years of mental and physical abuse by Ray. The defense expert explained that due to her diagonsis, this would have caused McNeil to shoot in self-defense as she genuinely percieved herself to be in imminent danger. McNeil's daughter, Shantina, testified in her mother's defense. Shantina claimed that she could hear Ray choking her mother through the door and she had known those sounds because he had choked McNeil multiple times before. Evidence arose during Sally's trial that questioned the validity of the story she had given, including her body language during the initial police interview, the trajectory of the rounds fired into Ray (one of which must have been fired while he was on the floor), and the blood spatter on their living room lamp. In addition, no DNA of Sally's was found on Ray, which eliminated any forensic evidence to back up her story. The prosecutors argued that, based on evidence, McNeil had shot Ray in the abdomen, left to the bedroom to reload the gun, and returned to the living room to shoot him in the face. In 1996, she was convicted of second degree murder and sentenced to 19 years to life.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.