Nikolai Izvolov (b. 1962)

Alias:
Nikolai Anatolyevich Izvolov
Nikolay Anatolyevich Izvolov
Nikolay Izvolov
Николай Анатольевич Изволов

Birthplace:
Kostroma, RSFSR, USSR, [now Russia]

Born:
February 14, 1962

Nikolai Izvolov is a Russian film historian and film scholar born in 1962 in Kostroma, USSR. He is the author of the Phenomenon of Film, History and theory (2001), and head of the department of the history of Russian cinema at the Cinema Art Institute in Moscow. In 1992, he collaborated with Chris Marker on the biopic of Alexander Medvedkin’s The Last Bolshevik. He developed a creative method of film reconstruction, ‘Hyperkino’ (together with Natasha Drubek-Mayer), and applied it to the archives of Dziga Vertov, Alexander Medvedkin, and Lev Kuleshov.

Additional information:

The Search Form


Archival Footage Coordinator:
1913  Drunkenness and Its Consequences
1917  The King of Paris
1918  Anniversary of the Revolution
1918  Engineer Prite's Project
1921  The History of the Civil War
1925  Kino-Pravda No. 21
1928  Terrible Vavila and Auntie Arina
1929  Man with a Movie Camera
1929  The Post
1930  Stop Thief!
1931  Pasifik 231
1933  A Night on Bald Mountain
1933  The Story of Tit... or the Tale of the Large Spoon
1934  Dokhunda
1936  Женитьба
2014  Searching for the Lost Pochta

Director:
1913  Drunkenness and Its Consequences
1917  The King of Paris
1918  Anniversary of the Revolution
1918  Engineer Prite's Project
1921  The History of the Civil War
1925  Kino-Pravda No. 21
1928  Terrible Vavila and Auntie Arina
1929  Man with a Movie Camera
1929  The Post
1930  Stop Thief!
1931  Pasifik 231
1933  A Night on Bald Mountain
1933  The Story of Tit... or the Tale of the Large Spoon
1934  Dokhunda
1936  Женитьба
2014  Searching for the Lost Pochta
2024  The Return of Vertov

Editorial Coordinator:
1913  Drunkenness and Its Consequences
1917  The King of Paris
1918  Anniversary of the Revolution
1918  Engineer Prite's Project
1921  The History of the Civil War
1925  Kino-Pravda No. 21
1928  Terrible Vavila and Auntie Arina
1929  Man with a Movie Camera
1929  The Post
1930  Stop Thief!
1931  Pasifik 231
1933  A Night on Bald Mountain
1933  The Story of Tit... or the Tale of the Large Spoon
1934  Dokhunda
1936  Женитьба
2014  Searching for the Lost Pochta
2024  The Return of Vertov

Idea:
1913  Drunkenness and Its Consequences
1917  The King of Paris
1918  Anniversary of the Revolution
1918  Engineer Prite's Project
1921  The History of the Civil War
1925  Kino-Pravda No. 21
1928  Terrible Vavila and Auntie Arina
1929  Man with a Movie Camera
1929  The Post
1930  Stop Thief!
1931  Pasifik 231
1933  A Night on Bald Mountain
1933  The Story of Tit... or the Tale of the Large Spoon
1934  Dokhunda
1936  Женитьба
2014  Searching for the Lost Pochta
2024  The Return of Vertov

Other:
1913  Drunkenness and Its Consequences
1917  The King of Paris
1918  Anniversary of the Revolution
1918  Engineer Prite's Project
1921  The History of the Civil War
1925  Kino-Pravda No. 21
1928  Terrible Vavila and Auntie Arina
1929  Man with a Movie Camera
1929  The Post
1930  Stop Thief!
1931  Pasifik 231
1933  A Night on Bald Mountain
1933  The Story of Tit... or the Tale of the Large Spoon
1934  Dokhunda
1936  Женитьба
2014  Searching for the Lost Pochta
2024  The Return of Vertov

Post Producer:
1913  Drunkenness and Its Consequences
1917  The King of Paris
1918  Anniversary of the Revolution
1918  Engineer Prite's Project
1921  The History of the Civil War
1925  Kino-Pravda No. 21
1928  Terrible Vavila and Auntie Arina
1929  Man with a Movie Camera
1929  The Post
1930  Stop Thief!
1931  Pasifik 231
1933  A Night on Bald Mountain
1933  The Story of Tit... or the Tale of the Large Spoon
1934  Dokhunda
1936  Женитьба
2014  Searching for the Lost Pochta
2024  The Return of Vertov

Producer:
1913  Drunkenness and Its Consequences
1917  The King of Paris
1918  Anniversary of the Revolution
1918  Engineer Prite's Project
1921  The History of the Civil War
1925  Kino-Pravda No. 21
1928  Terrible Vavila and Auntie Arina
1929  Man with a Movie Camera
1929  The Post
1930  Stop Thief!
1931  Pasifik 231
1933  A Night on Bald Mountain
1933  The Story of Tit... or the Tale of the Large Spoon
1934  Dokhunda
1936  Женитьба
2014  Searching for the Lost Pochta
2024  The Return of Vertov

Thanks:
1913  Drunkenness and Its Consequences
1917  The King of Paris
1918  Anniversary of the Revolution
1918  Engineer Prite's Project
1921  The History of the Civil War
1925  Kino-Pravda No. 21
1928  Terrible Vavila and Auntie Arina
1929  Man with a Movie Camera
1929  The Post
1930  Stop Thief!
1931  Pasifik 231
1933  A Night on Bald Mountain
1933  The Story of Tit... or the Tale of the Large Spoon
1934  Dokhunda
1936  Женитьба
2002  Dreams about Alfeoni
2014  Searching for the Lost Pochta
2024  The Return of Vertov

Writer:
1913  Drunkenness and Its Consequences
1917  The King of Paris
1918  Anniversary of the Revolution
1918  Engineer Prite's Project
1921  The History of the Civil War
1925  Kino-Pravda No. 21
1928  Terrible Vavila and Auntie Arina
1929  Man with a Movie Camera
1929  The Post
1930  Stop Thief!
1931  Pasifik 231
1933  A Night on Bald Mountain
1933  The Story of Tit... or the Tale of the Large Spoon
1934  Dokhunda
1936  Женитьба
2002  Dreams about Alfeoni
2005  Сукровица
2014  Searching for the Lost Pochta
2024  The Return of Vertov

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.