A work in constant progress (and occasional regress).
Alias:
Nikolai Anatolyevich Izvolov
Nikolay Anatolyevich Izvolov
Nikolay Izvolov
Николай Анатольевич Изволов
Birthplace:
Kostroma, RSFSR, USSR, [now Russia]
Born:
February 14, 1962
Nikolai Izvolov is a Russian film historian and film scholar born in 1962 in Kostroma, USSR. He is the author of the Phenomenon of Film, History and theory (2001), and head of the department of the history of Russian cinema at the Cinema Art Institute in Moscow. In 1992, he collaborated with Chris Marker on the biopic of Alexander Medvedkin’s The Last Bolshevik. He developed a creative method of film reconstruction, ‘Hyperkino’ (together with Natasha Drubek-Mayer), and applied it to the archives of Dziga Vertov, Alexander Medvedkin, and Lev Kuleshov.
Archival Footage Coordinator:
1913 Drunkenness and Its Consequences
1917 The King of Paris
1918 Anniversary of the Revolution
1918 Engineer Prite's Project
1921 The History of the Civil War
1925 Kino-Pravda No. 21
1928 Terrible Vavila and Auntie Arina
1929 Man with a Movie Camera
1929 The Post
1930 Stop Thief!
1931 Pasifik 231
1933 A Night on Bald Mountain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Dokhunda
1936 Женитьба
2014 Searching for the Lost Pochta
Director:
1913 Drunkenness and Its Consequences
1917 The King of Paris
1918 Anniversary of the Revolution
1918 Engineer Prite's Project
1921 The History of the Civil War
1925 Kino-Pravda No. 21
1928 Terrible Vavila and Auntie Arina
1929 Man with a Movie Camera
1929 The Post
1930 Stop Thief!
1931 Pasifik 231
1933 A Night on Bald Mountain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Dokhunda
1936 Женитьба
2014 Searching for the Lost Pochta
2024 The Return of Vertov
Editorial Coordinator:
1913 Drunkenness and Its Consequences
1917 The King of Paris
1918 Anniversary of the Revolution
1918 Engineer Prite's Project
1921 The History of the Civil War
1925 Kino-Pravda No. 21
1928 Terrible Vavila and Auntie Arina
1929 Man with a Movie Camera
1929 The Post
1930 Stop Thief!
1931 Pasifik 231
1933 A Night on Bald Mountain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Dokhunda
1936 Женитьба
2014 Searching for the Lost Pochta
2024 The Return of Vertov
Idea:
1913 Drunkenness and Its Consequences
1917 The King of Paris
1918 Anniversary of the Revolution
1918 Engineer Prite's Project
1921 The History of the Civil War
1925 Kino-Pravda No. 21
1928 Terrible Vavila and Auntie Arina
1929 Man with a Movie Camera
1929 The Post
1930 Stop Thief!
1931 Pasifik 231
1933 A Night on Bald Mountain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Dokhunda
1936 Женитьба
2014 Searching for the Lost Pochta
2024 The Return of Vertov
Other:
1913 Drunkenness and Its Consequences
1917 The King of Paris
1918 Anniversary of the Revolution
1918 Engineer Prite's Project
1921 The History of the Civil War
1925 Kino-Pravda No. 21
1928 Terrible Vavila and Auntie Arina
1929 Man with a Movie Camera
1929 The Post
1930 Stop Thief!
1931 Pasifik 231
1933 A Night on Bald Mountain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Dokhunda
1936 Женитьба
2014 Searching for the Lost Pochta
2024 The Return of Vertov
Post Producer:
1913 Drunkenness and Its Consequences
1917 The King of Paris
1918 Anniversary of the Revolution
1918 Engineer Prite's Project
1921 The History of the Civil War
1925 Kino-Pravda No. 21
1928 Terrible Vavila and Auntie Arina
1929 Man with a Movie Camera
1929 The Post
1930 Stop Thief!
1931 Pasifik 231
1933 A Night on Bald Mountain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Dokhunda
1936 Женитьба
2014 Searching for the Lost Pochta
2024 The Return of Vertov
Producer:
1913 Drunkenness and Its Consequences
1917 The King of Paris
1918 Anniversary of the Revolution
1918 Engineer Prite's Project
1921 The History of the Civil War
1925 Kino-Pravda No. 21
1928 Terrible Vavila and Auntie Arina
1929 Man with a Movie Camera
1929 The Post
1930 Stop Thief!
1931 Pasifik 231
1933 A Night on Bald Mountain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Dokhunda
1936 Женитьба
2014 Searching for the Lost Pochta
2024 The Return of Vertov
Thanks:
1913 Drunkenness and Its Consequences
1917 The King of Paris
1918 Anniversary of the Revolution
1918 Engineer Prite's Project
1921 The History of the Civil War
1925 Kino-Pravda No. 21
1928 Terrible Vavila and Auntie Arina
1929 Man with a Movie Camera
1929 The Post
1930 Stop Thief!
1931 Pasifik 231
1933 A Night on Bald Mountain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Dokhunda
1936 Женитьба
2002 Dreams about Alfeoni
2014 Searching for the Lost Pochta
2024 The Return of Vertov
Writer:
1913 Drunkenness and Its Consequences
1917 The King of Paris
1918 Anniversary of the Revolution
1918 Engineer Prite's Project
1921 The History of the Civil War
1925 Kino-Pravda No. 21
1928 Terrible Vavila and Auntie Arina
1929 Man with a Movie Camera
1929 The Post
1930 Stop Thief!
1931 Pasifik 231
1933 A Night on Bald Mountain
1933 The Story of Tit... or the Tale of the Large Spoon
1934 Dokhunda
1936 Женитьба
2002 Dreams about Alfeoni
2005 Сукровица
2014 Searching for the Lost Pochta
2024 The Return of Vertov
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.