A work in constant progress (and occasional regress).
Alias:
Vinicius A. Bozzo
Vinicius Augusto
Vinicius Bozo
Vinicius Bozzo
Birthplace:
São Paulo, São Paulo, Brazil
Born:
March 2, 1985
Screenwriter, editor, musician, and director. Graduated in Marketing Administration (UNIMESP) and post-graduated in Cinema and Audiovisual Language (ESTÁCIO-RJ). He has been working with audiovisual since 2005 and has worked in various production companies and television stations in Ceará. He studied screenwriting with Joaquim Assis (RJ), Orlando Senna (RJ), and Cláudio Nigro (Italy), documentary filmmaking with João Moreira Salles (RJ) and Breno Kupperman (SP), and documentary editing with Pedro Bronz (RJ). Since 2011, he has been a collaborator with the Documentary Center of TV Assembleia do Ceará, under the coordination of documentarian Angela Gurgel. As a screenwriter and editor, he has worked on documentaries that have been highlighted at national and international festivals such as "Boi Coração" and “Aldeia do Saber” (Village of Knowledge). He is currently the director of Sinfonia Filmes, where he directed and wrote the animations "Bambolim - A Diversão Sempre Vence" and "Smartphamily". He was the screenwriter and editor of the award-winning documentary "Aqui é Flamengo" (Here is Flamengo), directed by Rafael Luis Azevedo, which is now available on BoxBrazil Play. Outside of Ceará's television channels, his works have been shown on other channels, such as the documentaries “Luz, Câmera e Barreto” (Light, Camera, and Barreto) (Canal Brasil), “A Fortaleza da Cultura” (The Fortress of Culture) (Canal Futura), and he was one of the screenwriters for the TV Globo special “200 Anos da Independência - Ainda tem pendência?” (200 Years of Independence - Are There Still Issues?). In 2023, his feature film project “Bolada” (Ballin), in partnership with screenwriter Déo Cardoso, was selected for the LAB CENA 15 at Escola Porto Iracema das Artes (CE). He also participated in the screenplay of the animated feature “Tempo Trem”, alongside Roberta Filizola and Wagner Nogueira, and the children's series "Playpollis" created by Marcela Macedo. He is a member of ABRA (Brazilian Association of Screenwriters), EDT (Association of Audiovisual Editing Professionals), and ABCA (Brazilian Association of Animation Cinema).
Assistant Director:
2023 Tá Roxeda
Director:
2023 Amilton Melo - Ídolo de Todos
2023 Tá Roxeda
Editor:
2023 Amilton Melo - Ídolo de Todos
2023 Tá Roxeda
2024 Tempo Trem
Executive Producer:
2023 Amilton Melo - Ídolo de Todos
2023 Tá Roxeda
2024 Tempo Trem
First Assistant Director:
2023 Amilton Melo - Ídolo de Todos
2023 Tá Roxeda
2024 Só no Sertão
2024 Tempo Trem
2025 Milagre do Destino
Screenplay:
2023 Amilton Melo - Ídolo de Todos
2023 Tá Roxeda
2024 Só no Sertão
2024 Tempo Trem
2025 Milagre do Destino
Writer:
2020 Here is Flamengo
2022 200 Anos da Independência: Ainda tem Pendência?
2023 Amilton Melo - Ídolo de Todos
2023 Tá Roxeda
2024 Só no Sertão
2024 Tempo Trem
2025 Milagre do Destino
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.