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Federica Belletti

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Biography from TheMovieDB

Federica Belletti is a film writer and producer based in the US, originally from Italy. She worked at Maven Pictures, Gamechanger Films, and in production on "Tape", "Italian Studies" (Hulu), and "Dick Johnson Is Dead" (Netflix). She joined CounterNarrative Films, the company co-founded by Anna Gerb, Neal Dodson and JC Chandor where she worked on "Triple Frontier" (Netflix), and later Film Manufacturers Inc founded by Katharina Otto-Bernstein. Belletti has produced ten award-winning narrative shorts that played at 150+ festivals worldwide, including "Refuge", featured in The New Yorker Magazine; "Nice Talking To You", a SXSW premiere; and "Ayaan" which was longlisted for an Academy Award®, won 30 awards worldwide, including an Australian Directors Guild Award and Best International Short at Show Me Shorts Festival (NZ). Belletti is an alumna of the Giffoni Film Festival, the Tribeca Film Institute, and the BAFTA Los Angeles Newcomers' Program. She holds an MFA in Creative Producing from Columbia University ('18), where she was the recipient of the HFPA Fellowship and the Arthur Krim Memorial Award For Excellence in Producing.

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Film Production

First Assistant Director:
2020  Last Summer with Uncle Ira

Producer:
2018  Refuge
2020  Last Summer with Uncle Ira
2022  Myth

Production Assistant:
2018  Refuge
2020  Last Summer with Uncle Ira
2020  Stud Boob
2022  Myth

Thanks:
2018  Refuge
2020  Last Summer with Uncle Ira
2020  Stud Boob
2022  Myth

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.