Dr. Michelle Roberts

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Dr. Michelle D. Roberts (PhD, LPC, NCC) is a psychotherapist, journalist and professor who helps women discover how past trauma influences their current relationships. She holds a license to practice psychotherapy in Missouri and Oregon. Formerly, she was a reporter for The Oregonian.  She serves as a contributor on the Oxygen network’s Mastermind of Murder, where she provides insight on dark personalities.  Michelle completed her doctorate in clinical mental health counseling at the University of Missouri in St. Louis, where she also teaches psychopathology and diagnosis as adjunct faculty. She holds master’s degrees in education from UMSL and journalism from Northwestern University.  She has studied relational trauma for the past 25 years, first as an award-winning journalist and now as one of the nation’s leading researchers and clinicians focused on the modern epidemic of narcissistic abuse. Her seminal research illustrates the stark correlation between romantic involvement with a dark personality and a woman’s early-life experiences.  In addition to her journalism career, Michelle served as the executive director of Bravely, a residential program for women with histories of trauma and addiction leaving the sex traffic. She was a founding director of one of the nation’s first non-profits dedicated to health literacy, and author of several books designed to help people manage their mental health for the Institute for Healthcare Advancement in Irvine, CA.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.