A work in constant progress (and occasional regress).
Alias:
Βασίλης Μαρματάκης
Born in Greece, Marmatakis had wanted to live in London since he was a teenager and ended up studying graphic design at Camberwell College of Arts and the Royal College of Art in the 1990s. While working in an Athens advertising agency he met Lanthimos, who was then a successful freelance director of ads and music videos, and also Efthymis Filippou who would go on to write almost all of Lanthimos’s films. In 2003 Marmatakis co-founded the Athens design studio MNP with Katerina Papanagiotou (their logo appears on the Dogtooth poster above) and since 2009 he has worked as a freelance designer as well as a visiting professor at the Vakalo College of Art & Design in Athens. Marmatakis has designed the promotional posters for all of Lanthimos’s movies. He's the graphic designer of all Lanthimos’s movies except his first film.
Graphic Designer:
2009 Dogtooth
2011 Alps
2012 L
2012 The Capsule
2015 Chevalier
2015 The Lobster
2016 Interruption
2017 The Killing of a Sacred Deer
2018 The Favourite
2020 Nimic
2021 Great Freedom
2022 Bleat
2023 Poor Things
2024 Kinds of Kindness
2025 Bugonia
Thanks:
2009 Dogtooth
2011 Alps
2012 L
2012 The Capsule
2015 Chevalier
2015 The Lobster
2016 Interruption
2017 The Killing of a Sacred Deer
2018 Pity
2018 The Favourite
2019 Olla
2020 Nimic
2021 Great Freedom
2022 Bleat
2023 Poor Things
2024 Kinds of Kindness
2025 Bugonia
Title Designer:
2009 Dogtooth
2011 Alps
2012 L
2012 The Capsule
2015 Chevalier
2015 The Lobster
2016 Interruption
2017 The Killing of a Sacred Deer
2018 Pity
2018 The Favourite
2019 Olla
2020 Nimic
2021 Great Freedom
2021 Life After BOB: The Chalice Study
2022 Bleat
2023 Poor Things
2024 Kinds of Kindness
2025 Bugonia
Art Designer:
2024 Kostas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.