Vasilis Marmatakis

Alias:
Βασίλης Μαρματάκης

Born in Greece, Marmatakis had wanted to live in London since he was a teenager and ended up studying graphic design at Camberwell College of Arts and the Royal College of Art in the 1990s. While working in an Athens advertising agency he met Lanthimos, who was then a successful freelance director of ads and music videos, and also Efthymis Filippou who would go on to write almost all of Lanthimos’s films. In 2003 Marmatakis co-founded the Athens design studio MNP with Katerina Papanagiotou (their logo appears on the Dogtooth poster above) and since 2009 he has worked as a freelance designer as well as a visiting professor at the Vakalo College of Art & Design in Athens. Marmatakis has designed the promotional posters for all of Lanthimos’s movies. He's the graphic designer of all Lanthimos’s movies except his first film.

Additional information:

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Graphic Designer:
2009  Dogtooth
2011  Alps
2012  L
2012  The Capsule
2015  Chevalier
2015  The Lobster
2016  Interruption
2017  The Killing of a Sacred Deer
2018  The Favourite
2020  Nimic
2021  Great Freedom
2022  Bleat
2023  Poor Things
2024  Kinds of Kindness
2025  Bugonia

Thanks:
2009  Dogtooth
2011  Alps
2012  L
2012  The Capsule
2015  Chevalier
2015  The Lobster
2016  Interruption
2017  The Killing of a Sacred Deer
2018  Pity
2018  The Favourite
2019  Olla
2020  Nimic
2021  Great Freedom
2022  Bleat
2023  Poor Things
2024  Kinds of Kindness
2025  Bugonia

Title Designer:
2009  Dogtooth
2011  Alps
2012  L
2012  The Capsule
2015  Chevalier
2015  The Lobster
2016  Interruption
2017  The Killing of a Sacred Deer
2018  Pity
2018  The Favourite
2019  Olla
2020  Nimic
2021  Great Freedom
2021  Life After BOB: The Chalice Study
2022  Bleat
2023  Poor Things
2024  Kinds of Kindness
2025  Bugonia

Art Designer:
2024  Kostas

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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