A work in constant progress (and occasional regress).
Associate Producer:
1991 A Time to Die
1992 Maximum Force
Casting:
1991 A Time to Die
1992 C.I.A. Code Name: Alexa
1992 Intent to Kill
1992 Maximum Force
1992 Out for Blood
1993 Alien Intruder
1994 Hard Vice
1994 Texas Payback
Line Producer:
1991 A Time to Die
1992 C.I.A. Code Name: Alexa
1992 Intent to Kill
1992 Maximum Force
1992 Out for Blood
1993 Alien Intruder
1994 Hard Vice
1994 Texas Payback
Producer:
1991 A Time to Die
1991 Bikini Summer
1992 Bikini Summer II
1992 C.I.A. Code Name: Alexa
1992 Intent to Kill
1992 Maximum Force
1992 Out for Blood
1993 Alien Intruder
1994 Hard Vice
1994 Texas Payback
Production Manager:
1991 A Time to Die
1991 Bikini Summer
1992 Bikini Summer II
1992 C.I.A. Code Name: Alexa
1992 Final Impact
1992 Intent to Kill
1992 Maximum Force
1992 Out for Blood
1993 Alien Intruder
1994 Hard Vice
1994 Texas Payback
Second Assistant Director:
1991 A Time to Die
1991 Bikini Summer
1991 The Art of Dying
1992 Bikini Summer II
1992 C.I.A. Code Name: Alexa
1992 Final Impact
1992 Intent to Kill
1992 Maximum Force
1992 Out for Blood
1993 Alien Intruder
1994 Hard Vice
1994 Texas Payback
Stunts:
1991 A Time to Die
1991 Bikini Summer
1991 The Art of Dying
1992 Bikini Summer II
1992 C.I.A. Code Name: Alexa
1992 Final Impact
1992 Intent to Kill
1992 Maximum Force
1992 Out for Blood
1993 Alien Intruder
1994 Hard Vice
1994 Texas Payback
Unit Production Manager:
1991 A Time to Die
1991 Bikini Summer
1991 The Art of Dying
1992 Bikini Summer II
1992 C.I.A. Code Name: Alexa
1992 Final Impact
1992 Intent to Kill
1992 Maximum Force
1992 Out for Blood
1993 Alien Intruder
1994 Hard Vice
1994 Texas Payback
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.