Genjū Sasa (1900-1959)

Gallery Unavailable

Alias:
genjuu sasa
sasaki genjuu

Birthplace:
Japan

Born:
January 14, 1900

Died:
July 7, 1959

Genjū Sasa (佐々元十, Sasa Genjū) (14 January 1900 – 7 July 1959) was a left-wing Japanese film director and film critic. He was a founding member of the Proletarian Film League of Japan (Prokino), providing inspiration to the movement through his writings and his films. While studying in the French department of linguistics in the University of Tokyo, Sasa Genjuu was part of the proletarian theater and one of the many member activities was visiting factories and other places in the workers' recess time and create agitprop through the means of short plays.  They were known as "briefcase theater" due to the flexibility of being able to visiting any place by carrying all they needed inside a briefcase. It is said that they stimulated many theater activities in Japan by transcending the conventional structures of Shingeki (western inspired theater school) which was associated with the intellectual class. It was then that Sasa considered the potential of producing them through cinema.  Thus, while acting alone with a small camera he decided to record some short films like the Tokyo May Day of 1927, Teidai News, Strike, and Gaitou, all in the 16mm format. The following year he produced several other shorts, among them The Noda Strike. These small films were recorded as documentaries or newsreels and were done independently by Sasa from recording to editing.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.