A work in constant progress (and occasional regress).
Birthplace:
San José, Costa Rica
Allegra’s exhibitions span from Japan to Europe and America. Allegra works in a variety of mediums, with her work predominantly painting and photography, but often expanding into, sculpture and installation, and most recently documentary film. Since 2016 Pacheco has been almost exclusively dedicated to directing her first feature documentary, recently completed in 2021, titled “Salaryman”. Set in the world of Japanese blue-collar businessmen, this film explores the lives of office workers and simultaneously tracks the artist’s personal self-discovery along the way. Humming with the kinetic energy of Tokyo and featuring a rich, multi-dimensional score by James Iha (co-founder of the Smashing Pumpkins and A Perfect Circle) Salaryman combines performance art and a punk documentary ethic to open our minds to the cost of overwork, ultimately revealing surprising ways how salarymen, in every culture, can find escape and healing. The documentary has been presented in several film festivals through 2021 and 2022, in which it had won the recognitions of best documentary, best director, best score, among others. Before and parallel to her dedication to the documentary, from 2008 to 2018, she had presented solo shows in MoMo Gallery and Just Another Space in Tokyo, in LAMB Arts and London New Castle in London, as in Despacio, Klaus Steinmetz Contemporary and Vienti4/siete Gallery in Costa Rica. Actually, in 2012, Pacheco exhibited her first major installation work, ‘Boobs’, a series of breast-shaped soft sculptures made in collaboration with disenfranchised women from La Carpio, an immigrant neighbourhood in Costa Rica. The exhibition space took on the innocence of a children’s playground, but at the same time served as a platform whereby feminist issues and taboo subjects such as sexuality could be addressed in an un-biased environment. Allegra has been artist-in-residency in LAMB Arts artist-in-residence program, London, U.K. in 2015, and at The Backers Foundation and AIT Residence Programme, Tokyo, in 2013. In 2014, Allegra’s first photography book, titled “88 Days in Japan” was published by Editorial Germinal, making a debut in the Salon du Livre, Paris. Pacheco’s work is included in important collections, most recently in Mori collection (Mori Art Museum owners private collection, Tokyo), Fundacion Massaveu (Madrid), Francisco Cantos (Chair in ARCO, Madrid), and Takeo Obayashi (Tokyo).
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.