A work in constant progress (and occasional regress).
Shawn Efran is a Peabody- and seven-time Emmy-winning producer/director. He is the founder of Efran Films, a production company focused on creating quality series for television and digital distribution. Efran Films clients include Investigation Discovery, VICE, Bravo, Lifetime, Oxygen, The New York Times, The Washington Post, Time, thrillist, The Weather Channel, Telemundo, Forbes, Upworthy, Cigna, Chevy, American Express, Netflix, and many more. In 2014, Efran Films' "Women in Prison" series for the New York Times was recognized as one of the best commercials of the year. In 2015, Efran Films won an Emmy, a Polk, interviewed President Obama, and was awarded the Investigative Reporters and Editors highest honor. In 2016, the company won multiple Editor and Publisher awards. In 2017, Efran Films received an Emmy, a Webby, a Murrow, and a Loeb. Before launching Efran Films, Shawn was a producer at CBS's 60 Minutes.
Director:
2013 The Somali Project
Executive Producer:
2013 The Somali Project
2014 The Real Death Valley: The Untold Story of Mass Graves and Migrant Deaths in South Texas
2018 He Lied About Everything
Producer:
2013 The Somali Project
2014 The Real Death Valley: The Untold Story of Mass Graves and Migrant Deaths in South Texas
2018 He Lied About Everything
Writer:
2013 The Somali Project
2014 The Real Death Valley: The Untold Story of Mass Graves and Migrant Deaths in South Texas
2018 He Lied About Everything
Executive Producer:
2018 He Lied About Everything
2022 Never Seen Again
2023 (re)solved
2023 FBI TRUE
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.