Lachlan Wylie (b. 1999)

Birthplace:
Australia

Born:
January 14, 1999

Lachlan James Wylie is an Australian Producer, Director, Cinematographer and Editor. He was born on the 14th of January, 1999 in Bathurst, Australia. Lachlan grew up in various rural and coastal towns where he discovered his love of making films with his friends, later moving to Sydney to pursue film as a career. He is best known for his production company, Video Nasty, and his work on their short films 'Franz' (2024), 'Alley-Oop' (2023) and 'Archie, Bald' (2022).

Additional information:

The Search Form


Best Boy Electric:
2024  Alley-Oop

Director:
2022  The Show Must Go On
2023  Whisky Business
2024  Alley-Oop
2024  The Hole in the Earth

Gaffer:
2022  Qualifications
2022  The Show Must Go On
2023  Whisky Business
2024  Alley-Oop
2024  The Hole in the Earth

Graphic Designer:
2022  Qualifications
2022  The Show Must Go On
2023  Whisky Business
2024  Alley-Oop
2024  The Hole in the Earth

Post Production Supervisor:
2022  Qualifications
2022  The Show Must Go On
2023  Whisky Business
2024  Alley-Oop
2024  The Hole in the Earth

Producer:
2022  Archie, Bald
2022  Qualifications
2022  The Show Must Go On
2023  Whisky Business
2024  Alley-Oop
2024  The Hole in the Earth
????  Franz

Production Design:
2022  Archie, Bald
2022  Qualifications
2022  The Show Must Go On
2023  Whisky Business
2024  Alley-Oop
2024  The Hole in the Earth
????  Franz

VFX Artist:
2022  Archie, Bald
2022  Qualifications
2022  The Show Must Go On
2023  Whisky Business
2024  Alley-Oop
2024  The Hole in the Earth
????  Franz

Writer:
2022  Archie, Bald
2022  Qualifications
2022  The Show Must Go On
2023  Whisky Business
2024  Alley-Oop
2024  The Hole in the Earth
????  Franz

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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