A work in constant progress (and occasional regress).
Birthplace:
Madrid, España
Born:
December 2, 2000
Juan Sainz de Rozas (December 2, 2000, Madrid, Spain). Producer, writer, actor and director. He studied Audiovisual Communication at the Faculty of Information Sciences of the Complutense University of Madrid receiving the Extraordinary Award for the End of Degree and Master in Audiovisual Production. Since he was a child he was interested in cinema and started shooting homemade short films that guided his career to study cinematography and acting techniques. He has produced both fiction and documentary films. He has worked in Telecinco Cinema and is the author of the Sea Symphony Trilogy. He gives vocational talks and shows his work, above all, on his Instagram profile. His biography can be found in the newspaper La Vanguardia, IMDb and Letterboxd.
Director:
2022 Look how beautiful she was
2022 The Director's Cut
2023 Carràvisión
Editor:
2022 Look how beautiful she was
2022 The Director's Cut
2022 The Fever
2023 Carràvisión
Editorial Services:
2022 Consuelo
2022 Look how beautiful she was
2022 The Director's Cut
2022 The Fever
2023 Carràvisión
Executive Producer:
2022 Consuelo
2022 Look how beautiful she was
2022 The Director's Cut
2022 The Fever
2023 Carràvisión
Graphic Designer:
2022 Consuelo
2022 Look how beautiful she was
2022 The Director's Cut
2022 The Fever
2023 Carràvisión
2023 Fishing in Tunisia
2023 Resolve in Venezuela
Intern:
2022 Consuelo
2022 Look how beautiful she was
2022 The Director's Cut
2022 The Fever
2023 A Moroccan Affair
2023 Carràvisión
2023 Fishing in Tunisia
2023 Resolve in Venezuela
Producer:
2022 Consuelo
2022 Look how beautiful she was
2022 The Director's Cut
2022 The Fever
2023 A Moroccan Affair
2023 Carràvisión
2023 Fishing in Tunisia
2023 Resolve in Venezuela
Production Assistant:
2022 Consuelo
2022 Look how beautiful she was
2022 The Director's Cut
2022 The Fever
2023 A Moroccan Affair
2023 Carràvisión
2023 Fishing in Tunisia
2023 Resolve in Venezuela
Screenplay:
2022 Consuelo
2022 Look how beautiful she was
2022 The Director's Cut
2022 The Fever
2023 A Moroccan Affair
2023 Carràvisión
2023 Fishing in Tunisia
2023 Resolve in Venezuela
Second Assistant Director:
2022 Consuelo
2022 Look how beautiful she was
2022 The Director's Cut
2022 The Fever
2023 A Moroccan Affair
2023 Carràvisión
2023 Fishing in Tunisia
2023 Resolve in Venezuela
Visual Effects:
2022 Consuelo
2022 Look how beautiful she was
2022 The Director's Cut
2022 The Fever
2023 A Moroccan Affair
2023 Carràvisión
2023 Fishing in Tunisia
2023 Resolve in Venezuela
Visual Effects Producer:
2022 Consuelo
2022 Look how beautiful she was
2022 The Director's Cut
2022 The Fever
2023 A Moroccan Affair
2023 Carràvisión
2023 Fishing in Tunisia
2023 Resolve in Venezuela
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.