Madeline Dee

A classically trained performer, Madeleine Dee is an actor, voice artist, and screenwriter. With her timeless looks, expressive eyes, and strong sense of humor, she thrives in both modern works and period pieces, often playing clever rebels, offbeat mentors, leaders, and brave women who are just as complex as she is.  Madeleine is represented by The Library Agency and has studied with The Margie Haber Studio, Diane Charles, Judy Kain, Scott Sedita, and The BGB Studio. She learned improv at UCB (101-401). She is a proud graduate of Joe Zieja's Voice Acting Academy and has a full voice over studio in her home.  You can find her lurking in dark corners of Amazon Prime, Hulu, Showtime, and HBO. Her own projects, including "Law & Coffee Order", "The Seasoned Cynic", and "Finding Miss Collins", can be found on her website with her demo reels and writing samples: MadeleineDee.com.  A former chef, Madeleine spent 12 years as a small business owner. In her spare time, she plays video games, writes, studies a handful of languages, sings really badly, collects vintage clothing, travels, drives too fast, solves puzzles, bakes, eats everything she can find, and spends plenty of time in her garden.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.