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Christopher Thompson (b. 1990)

Birthplace:
Evansville, Indiana, USA

Born:
January 26, 1990

Biography from TheMovieDB

Christopher Thompson (1990) is a contemporary American artist and filmmaker whose work examines capital, desire, and the seemingly supernatural forces that govern its acceleration. His films and video works have been featured in exhibitions and film festivals worldwide, including Prismatic Ground, Oak Cliff Film Festival, the 5th Odessa Biennale at the Odessa Museum of Contemporary Art, Endless Editions Biennale in NYC, “Late capitalism, it's like, almost over” at The Luminary in St. Louis, the 6th Bogotá Experimental Film Festival. He holds a B.A. from the University of Southern Indiana and an M.F.A. from Washington University in St. Louis, where he studied video art and experimental electronic music. He is also the director of HATERS, an online moving image journal. Thompson lives and works in Brooklyn, NY.

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Film Production

Director:
2020  Property is Theft lol
2021  Deep Impact
2023  Damp Moss
2024  Foot to Ground

Writer:
2020  Property is Theft lol
2021  Deep Impact
2023  Damp Moss
2024  Foot to Ground

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.