Nix Herrera

Alias:
Nicholas Herrera
Nix

Nix Herrera started body painting in Orlando, Florida, at the age of 19. His love of competition and artistic talent drove him to become an award-winning body painter. Ever the perfectionist, Nix has constantly challenged himself to grow as an artist.  After 15 years of experience, Nix’s dedication to body painting led him to Syfy’s new show, Naked Vegas. His expertise and problem-solving skills made him an essential asset to the body painting team. Nix was also a competitor on season two of Face Off, where he competed in developing, sculpting, and applying special effects makeup.  Nix's portfolio includes work with Playboy, Rolling Stone, Make-Up Artist Magazine, the JabbaWockeeZ, Penn and Teller, Nokia, Universal Studios, Ocean Park Hong Kong, Cirque USA, and many more.

Additional information:

The Search Form


Makeup Effects:
2022  No Disintegrations

Special Effects Makeup Artist:
2022  No Disintegrations
2023  Blue Beetle
2024  Fly Me to the Moon
2024  Wildcat
2025  Captain America: Brave New World

Key Makeup Artist:
2015  Oscar's Hotel for Fantastical Creatures

Prosthetic Makeup Artist:
2015  Oscar's Hotel for Fantastical Creatures
2016  Stranger Things

Special Effects Makeup Artist:
2006  South Beach
2015  Oscar's Hotel for Fantastical Creatures
2016  Stranger Things

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.