Jean Penzer (1927-2021)

Birthplace:
Livry-Gargan, Seine-Saint-Denis, France

Born:
October 1, 1927

Died:
May 20, 2021

Jean Penzer (born 1 October 1927) was a French cinematographer. He contributed to more than sixty films from 1951 to 1992.  Source: Article "Jean Penzer" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

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Cinematography:
1961  Five Day Lover
1962  La colère
1966  La Voleuse
1969  Destroy, She Said
1971  La voix humaine
1975  Aloïse
1985  Hell Train
1987  La Rumba
1988  Bernadette
1988  Three Seats for the 26th
1990  The Passion of Bernadette

Director:
1961  Five Day Lover
1962  La colère
1966  La Voleuse
1969  Destroy, She Said
1971  La voix humaine
1975  Aloïse
1980  5% de risque
1985  Hell Train
1987  La Rumba
1988  Bernadette
1988  Three Seats for the 26th
1990  The Passion of Bernadette

Director of Photography:
1955  Mon chien
1960  The Love Game
1961  Five Day Lover
1961  Le bonheur est pour demain
1961  Playtime
1961  The Joker
1962  La Gourmandise
1962  La colère
1962  Les Culottes rouges
1962  The Seven Deadly Sins
1965  Qui donc a rêvé ?
1966  La Voleuse
1967  A Man to Kill
1967  The Two of Us
1969  Destroy, She Said
1969  The Devil by the Tail
1971  La voix humaine
1971  Without Apparent Motive
1972  Charlots Go to Spain
1973  Hail the Artist
1973  The Inheritor
1975  Aloïse
1975  Fear Over the City
1975  Incorrigible
1976  Hunter Will Get You
1976  The Body of My Enemy
1978  Get Out Your Handkerchiefs
1978  The Meetings of Anna
1978  Your Turn, My Turn
1979  Buffet Froid
1979  Lady Oscar
1980  5% de risque
1980  Break of Day
1981  Malevil
1982  A Room in Town
1982  The Passerby
1982  The Roaring Forties
1983  My Best Friend's Girl
1983  The African
1984  Le Bon Plaisir
1984  Our Story
1985  He Died with His Eyes Open
1985  Hell Train
1986  Ménage
1987  La Rumba
1988  Bernadette
1988  Three Seats for the 26th
1990  The Passion of Bernadette
1992  Amelia Lópes O'Neill
1992  The Return of Casanova

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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