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Samuel Arduz (b. 2000)

Born:
February 2, 2000

Biography from TheMovieDB

Samuel Arduz Villarroel, (born February 2, 2000 in Sucre, Bolivia) is a Bolivian director, producer and cinematographer. He studied graphic arts and multimedia at Tecba Institute, where he was awarded recognition for the best film project.  His passion for cinema began at an early age and he began filming in his city as a teenager. In 2019 he formed his own production company with which to this day he has filmed various commercials for different brands and associates around the country.  In 2020 (his last year of study) he begins with his first projects, two short films (I'm Still Here & The Date) and the script for his debut (Lost Voices).

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Film Production

Color Grading:
2023  Portrait of a Killer

Director:
2022  I'm Still Here
2022  The Date
2023  Portrait of a Killer
2023  Redimido
2024  Waira

Director of Photography:
2022  I'm Still Here
2022  The Date
2023  Portrait of a Killer
2023  Redimido
2024  Waira

Producer:
2022  I'm Still Here
2022  The Date
2023  Portrait of a Killer
2023  Redimido
2024  Waira

Writer:
2022  I'm Still Here
2022  The Date
2023  Portrait of a Killer
2023  Redimido
2024  Waira

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.