Tomiya Hills

Known chiefly for his refined, "dreamlike" style, Tomiya Hills is a filmmaker based in Adelaide, South Australia. After completing his Bachelor of Creative Arts at Flinders University, Hills began studying film at MAPS film school in the heart of Adelaide. During his time at film school, Hills developed an interest in cinematography and camera operation. He has since put his skills to the test on his solo short film Vending Machine (2020), for which he received acclaim at various international festivals. Hills went on to collaborate with fellow filmmakers and students, including on the web-series The Reality of Humanity (2021), and short films such as Ingénue (2021), Marriage Graveyard (2022), and True Colour (2022) - the latter of which won Hills the Best Cinematography Award at the 2022 Creation International Film Festival.

Additional information:

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Camera Operator:
2022  True Colour

Director:
2020  Vending Machine
2022  The Family Friend
2022  True Colour
????  Vietnam Story

Director of Photography:
2020  Vending Machine
2022  The Family Friend
2022  True Colour
2023  Forgiving
????  Vietnam Story

Editor:
2020  Vending Machine
2022  The Family Friend
2022  True Colour
2023  Forgiving
????  Vietnam Story

First Assistant "A" Camera:
2020  Vending Machine
2022  Marriage Graveyard
2022  The Family Friend
2022  True Colour
2023  Forgiving
????  Vietnam Story

First Assistant Camera:
2020  Vending Machine
2022  Marriage Graveyard
2022  Speak to us of Children
2022  The Family Friend
2022  True Colour
2023  Forgiving
2023  Red Earth
????  Vietnam Story

First Assistant Director:
2020  Vending Machine
2022  Marriage Graveyard
2022  Speak to us of Children
2022  The Family Friend
2022  True Colour
2023  Forgiving
2023  Red Earth
????  Vietnam Story

Lighting Design:
2020  Vending Machine
2022  Marriage Graveyard
2022  Speak to us of Children
2022  The Family Friend
2022  True Colour
2023  Forgiving
2023  Red Earth
????  Vietnam Story

Producer:
2020  Vending Machine
2022  Marriage Graveyard
2022  Speak to us of Children
2022  The Family Friend
2022  True Colour
2023  Forgiving
2023  Red Earth
????  Vietnam Story

Writer:
2020  Vending Machine
2022  Marriage Graveyard
2022  Speak to us of Children
2022  The Family Friend
2022  True Colour
2023  Forgiving
2023  Red Earth
????  Vietnam Story

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.