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Adele Mara (1923-2010)

Alias:
Adelaida Delgado

Birthplace:
Highland Park, Michigan, USA

Born:
August 28, 1923

Died:
May 7, 2010

Biography from TheMovieDB

 From Wikipedia, the free encyclopedia  Adele Mara (April 28, 1923 – May 7, 2010), born Adelaide Delgado, was an American actress, singer and dancer who appeared in films during the 1940s and 1950s. During the 1940s, the blond actress was also a popular pinup girl.   One of her early roles was as a receptionist in the Three Stooges film I Can Hardly Wait. Other films include The Vampire's Ghost, Wake of the Red Witch, Angel in Exile, Sands of Iwo Jima, California Passage, and Don Siegel's Count the Hours. In 1961 appeared as a guest star with Cesar Romero on The Red Skelton Show in a sketch titled "Deadeye & The Alamo" - she played Elaine the nurse. Born in Highland Park, Michigan, of Spanish descent, she was married to television writer/producer Roy Huggins and appeared as a dancer in three episodes of his 1957 television series Maverick. Mara died of natural causes on May 7, 2010. Description above from the Wikipedia article Adele Mara, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.