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Karen DeWolf (1904-1989)

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Alias:
Gypsy Wells
Muriel Quack

Born:
February 14, 1904

Died:
July 20, 1989

Additional information:

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Film Production

Screenplay:
1933  By Candlelight
1934  The Countess of Monte Cristo
1935  Condemned to Live
1936  Bulldog Edition
1936  Doughnuts and Society
1937  Borrowing Trouble
1937  Checkers
1937  Hot Water
1937  Love in a Bungalow
1938  Passport Husband
1938  Safety in Numbers
1939  Saga of Death Valley
1940  Pioneers of the West
1941  Blondie Goes Latin
1941  Blondie in Society
1941  Go West, Young Lady
1941  Her First Beau
1942  Blondie for Victory
1942  Blondie's Blessed Event
1942  Meet the Stewarts
1942  Shut My Big Mouth
1942  The Daring Young Man
1943  Footlight Glamour
1943  It's a Great Life
1944  Nine Girls
1947  Bury Me Dead
1947  Stepchild
1949  Johnny Allegro
1949  Make Believe Ballroom
1949  Slightly French
1950  When You're Smiling
1953  Count the Hours!
1954  Silver Lode

Story:
1933  By Candlelight
1934  The Countess of Monte Cristo
1935  Condemned to Live
1936  Bulldog Edition
1936  Doughnuts and Society
1936  Ride, Ranger, Ride
1937  Borrowing Trouble
1937  Checkers
1937  Dangerous Holiday
1937  Hot Water
1937  Love in a Bungalow
1938  Passport Husband
1938  Safety in Numbers
1939  Saga of Death Valley
1940  Pioneers of the West
1941  Blondie Goes Latin
1941  Blondie in Society
1941  Go West, Young Lady
1941  Her First Beau
1941  Saddlemates
1941  Tillie the Toiler
1942  Blondie for Victory
1942  Blondie's Blessed Event
1942  Meet the Stewarts
1942  Shut My Big Mouth
1942  The Daring Young Man
1943  Footlight Glamour
1943  It's a Great Life
1944  Nine Girls
1946  It's Great to Be Young
1947  Bury Me Dead
1947  Stepchild
1948  The Return of October
1949  Johnny Allegro
1949  Make Believe Ballroom
1949  Slightly French
1950  When You're Smiling
1953  Count the Hours!
1954  Silver Lode

Writer:
1933  By Candlelight
1934  The Countess of Monte Cristo
1935  Condemned to Live
1936  Bulldog Edition
1936  Doughnuts and Society
1936  Ride, Ranger, Ride
1937  Borrowing Trouble
1937  Checkers
1937  Dangerous Holiday
1937  Hot Water
1937  Love in a Bungalow
1938  Always in Trouble
1938  Passport Husband
1938  Safety in Numbers
1938  Walking Down Broadway
1939  Everybody's Baby
1939  Saga of Death Valley
1940  Pioneers of the West
1941  Blondie Goes Latin
1941  Blondie in Society
1941  Go West, Young Lady
1941  Her First Beau
1941  Saddlemates
1941  Tillie the Toiler
1942  Blondie for Victory
1942  Blondie's Blessed Event
1942  Meet the Stewarts
1942  Shut My Big Mouth
1942  The Daring Young Man
1943  Footlight Glamour
1943  It's a Great Life
1944  Nine Girls
1945  Getting Gertie's Garter
1946  It's Great to Be Young
1947  Bury Me Dead
1947  Stepchild
1948  Adventures of Casanova
1948  The Return of October
1949  Holiday in Havana
1949  Johnny Allegro
1949  Make Believe Ballroom
1949  Slightly French
1950  When You're Smiling
1953  Appointment in Honduras
1953  Count the Hours!
1954  Silver Lode

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.