Dimitris Theodoropoulos

Gallery Unavailable

Dimitris Theodoropoulos (GSC) is Director of Photography and Associate Professor at the Film Department of the School of Fine Arts of the Aristotle University of Thessaloniki. He has studied Political Science at the Kapodistrian University of Athens and Cinematography (Fulbright Scholarship) at the Center for Advanced Film & TV Studies of the American Film Institute (MFA Cinematography).  His recent collaborations include the filming of the feature/fiction films, Canteen, Heart of the Beast, Ethicon Acmeotaton, Small Rebellions. The short films, The tameno, Dry cleaning, Marionette, Happy life, One moment and I'm coming, Fleury-mad of the moon, The loft, Moving elements, Alina Hatson, Darlene, Letters in Germany. The feature-length documentaries Alive in the Cell, Odysseys of Bodies-Nikos Koundouros, Play it again Christos, Eleni Altamoura, Katerina Gogou – for the restoration of the black man.  He has won the Cinematography Award at the 2011 Drama Festival, for the films of the "microfilm-ERT" program The Attic & Moving Elements. As director - Director of Photography, recent creations include the feature length documentary Aphrodite's child-Loukas Sideras (2013) as well as the short films 07-01-2011, the last rehearsal (13th Thessaloniki Documentary Festival, 7th Athens Video Art Festival-2011, 5th Greek Documentary Festival of Chalkida-2011), Cello-lesson, 2013, (7th Avant-garde Film Festival of Greek Film Library & 7th Greek Documentary Festival of Chalkida-2013), Piano-play, 2014, (8th Avant-garde Film Festival Film Library of Greece & 8th Greek Documentary Festival Chalkidas-2014).

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.