A work in constant progress (and occasional regress).
Birthplace:
Center Harbor, New Hampshire, USA
Born:
July 9, 1895
Died:
January 1, 1975
From Wikipedia, the free encyclopedia Phoebe Foster (born Angeline Egar; July 9, 1896 - June 1975) was an American theater and film actress. Foster studied at the American Academy of Dramatic Arts. She began appearing on Broadway in 1914, starting with a production of Roi Cooper Megrue's Under Cover. Her subsequent Broadway appearances included The Cinderella Man (1916), Three's a Crowd (1919), Captain Applejack (1921), The Jazz Singer (1925), and Topaze (1930). After appearing in a couple of short films, in 1931 she made her feature film debut in George Cukor's Tarnished Lady alongside Tallulah Bankhead. That same year she also appeared in Edmund Goulding's The Night Angel with Nancy Carroll and Fredric March. In 1933, she was in the comedies Our Betters and Dinner at Eight, both directed by Cukor. Two years later she appeared in the Tolstoy adaptation Anna Karenina with Greta Garbo. In 1935 she also returned to Broadway for the brief run of Living Dangerously. In 1936 she had her first stage appearance in London, starring in a production of Night of January 16th. Foster's last movie was The Gorgeous Hussy in 1936. Her final Broadway production was American Landscape (1938). Personal life Foster was born in 1896 as Angeline Egar (possibly Eager) in Center Harbor, New Hampshire. She was the daughter of Arthur and Emily Egar. Foster married millionaire Harold LeRoy Whitney, heir to an ironworks fortune, on September 12, 1927. Whitney had divorced his previous wife just days before. The couple kept the marriage secret for several days before the press discovered it. They filed for divorce in 1943. Phoebe Foster died in 1975 in Boston, Massachusetts.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.