A work in constant progress (and occasional regress).
Birthplace:
Doha,Qatar
Born:
March 18, 2007
Aditya Krishna Moorthy is a filmmaker based in Melbourne having produced several award-winning films that have garnered international recognition. Night and Wrong (2022), received an honorable mention for Best Student Short Film (Secondary) at the Changing Face International Film Festival, while his earlier work, Stick-Man (2020), was screened in cinemas after winning in the Children's International Film Festival. His films are noted for their surrealist lens, saturated color schemes, and depressive tones, which lend a distinctive visual aesthetic to his work. He has also had the opportunity to work under the guidance of John Hipwell, production manager for Mad Max (1979). He is often referred to as 'The Prophet' of the film industry.
Camera Department Manager:
2022 Night and Wrong
Casting:
2022 Night and Wrong
2022 Pretty Good Week
Catering:
2022 Night and Wrong
2022 Pretty Good Week
2023 Midnight Lights
Cinematography:
2022 Night and Wrong
2022 Pretty Good Week
2022 Under The Streetlight
2022 What Now?
2023 Breezes
2023 Invader
2023 Midnight Lights
2023 Missing Memories
Director:
2020 Stick-Man
2022 Night and Wrong
2022 Pretty Good Week
2022 The Man in Red
2022 Under The Streetlight
2022 What Now?
2023 A Son's Call
2023 Breezes
2023 Have You Met Harry?
2023 Invader
2023 Midnight Lights
2023 Missing Memories
2023 Waters
Editor:
2020 Stick-Man
2022 Night and Wrong
2022 Pretty Good Week
2022 The Man in Red
2022 Under The Streetlight
2022 What Now?
2023 A Son's Call
2023 Breezes
2023 Have You Met Harry?
2023 Invader
2023 Midnight Lights
2023 Missing Memories
2023 Waters
Location Scout:
2020 Stick-Man
2022 Night and Wrong
2022 Pretty Good Week
2022 The Man in Red
2022 Under The Streetlight
2022 What Now?
2023 A Son's Call
2023 Breezes
2023 Have You Met Harry?
2023 Invader
2023 Midnight Lights
2023 Missing Memories
2023 Waters
Writer:
2020 Stick-Man
2022 Night and Wrong
2022 Pretty Good Week
2022 The Man in Red
2022 Under The Streetlight
2022 What Now?
2023 A Son's Call
2023 Breezes
2023 Have You Met Harry?
2023 Invader
2023 Midnight Lights
2023 Missing Memories
2023 Waters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.