Melisa Zapata Montoya (b. 1993)

Gallery Unavailable

Birthplace:
Medellin, Antioquia, Colombia

Born:
October 14, 1993

Graduated in Communication and Audiovisual Languages from the University of Medellin (2017), where she coordinated the Cine Club Veinticuadros for several years. With her short film "Menguante" she won the New Creators competition of the 57th Cartagena Film Festival (FICCI, 2017), among other national and international festivals. She did her professional internship at Burning Blue (2017) and later was the general producer of the Bogota Short Film Festival - BOGOSHORTS for four years, as well as its digital coordinator in 2020. She was selected as a screenwriter in the 14th Berlinale Talents Buenos Aires and BAMMER in the 10th edition of BAM - Bogotá Audiovisual Market. She was Coordinator of the Promotion and Qualification area of the Bogotá Film Commission in 2022 and works as a producer at Laberinto Cine y Televisión. With a creation grant from IDARTES, she produced and co-wrote the short film Paloquemao (LSFF 2023), whose cinematographic exploration is defined as Popular Gothic.  She has worked as Producer (Desde el suelo - Dir. Carolina Ayala and Exégesis - Dir. Valentina Vargas), Production Manager (Todo Incluido - Dir. Duván Duque), Production Coordinator (Matrioshka - Dir. Jorge Forero), Postproduction Coordinator (Mil Colmillos - Dir. Jaime Osorio), Assistant Director (Conversaciones con ella - Dir. Laura Chará) and Script (Graceland - Dir. Tomás Corredor and Te amx - Dir. Daniel Cuervo).

Additional information:

The Search Form


Director:
2017  Waning

Editor:
2017  Waning

Producer:
2017  Waning
2022  Paloquemao: the Vampire Market

Writer:
2017  Waning
2022  Paloquemao: the Vampire Market

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.