Scott Passarella

Scott Passarella is a composer, performer and instructor from the great state of California.  He began performing comedy onstage at CszLA, where he also had the opportunity to play live accompaniment for some of their weekly shows. Soon after, he began work as an accompanist and music director at multiple venues in Los Angeles, including UCB Theater, The Second City Hollywood, iO West, and more. With a background in piano, theater, vocal performance and comedy, Scott is an accomplished Musical Improv instructor and accompanist. He can also play guitar, but not nearly as well.  Scott has worked with Hasbro’s eOne, Cedar Fair Parks, Dropout.tv, Earwolf, The Story Pirates, and SMOSH; including songwriting, arrangements, instrumental scoring, and even a few barbershop quartets. Scott is the pianist for Off Book: The Improvised Musical Podcast, and has composed songs for theatrical musicals, comedy revues, podcasts and internet shorts. He has co-written roughly five-thousand improvised songs so far.  When he isn't writing and playing music, Scott enjoys spending time with his wife and child; they visit Merry-Go-Rounds as often as possible.  Scott offers private instruction for pianists interested in learning more about improvised accompaniment, and coaches both musical and non-musical improv teams throughout Los Angeles. Workshops are occasionally offered, and can be booked on request for a minimum of 5 students or more.  Collaborative songwriting is Scott's specialty, and one of his favorite ways to make music. He will write you just about any song you like, within reason.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.