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Yūzō Kayama (b. 1937)

Alias:
Юдзо Каяма
加山雄三

Birthplace:
Yokohama, Kanagawa Prefecture, Japan

Born:
April 11, 1937

Biography from TheMovieDB

From Wikipedia, the free encyclopedia.  Yūzō Kayama (加山 雄三 Kayama Yūzō) is a Japanese popular musician and film star, born on 11 April 1937. His father, Ken Uehara, was a film star during the 1930s. Yuzo Kayama became a big star in the 1960s in the Wakadaishō (Young Guy) film series.  He showed his ability for drama when Akira Kurosawa cast him for his 1965 film, Red Beard, starring Toshirō Mifune. Kayama reported that he found the two years spent making this film the most difficult, but proudest work of his life.  As a guitarist, he took inspiration from the American instrumental group The Ventures, and performed a form of psychedelic surf music in the 1960s with his Mosrite guitar. One of his best-known instrumentals is "Black Sand Beach". "Kimi to Itsumademo" ("Love Forever"), another of his compositions, sold over two million copies, and was awarded a gold disc in 1965. At that point it was the biggest selling disc in the Japanese recording industry's history.  Description above from the Wikipedia article Yūzō Kayama, licensed under CC-BY-SA, full list of contributors on Wikipedia

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.