A work in constant progress (and occasional regress).
Alias:
H-boy
HongYap
Birthplace:
Brunei, Borneo, Asia
Born:
May 29, 2000
Harrison Yap Han Hong is a bruneian-chinese filmmaker. He studied filmmaking in Aberystwyth University where he made several short-films, amongst them Late Night (2021), Colours Of Life (2021), Message To My Ex (2020) and as an editor in the feature length Behind Kitani (2021), his most acclaimed work being Routine (2021).
Cinematography:
2019 Simpati
2020 A Message To My Ex
2021 Late Night
2021 Routine
Director:
2019 Simpati
2020 A Message To My Ex
2021 Colours of life
2021 Late Night
2021 Routine
Director of Photography:
2019 Simpati
2020 A Message To My Ex
2021 Colours of life
2021 Late Night
2021 Routine
2021 Words Left Unsaid
Editor:
2019 Simpati
2020 A Message To My Ex
2021 Colours of life
2021 Late Night
2021 Routine
2021 Words Left Unsaid
Editorial Production Assistant:
2019 Simpati
2020 A Message To My Ex
2021 Colours of life
2021 Late Night
2021 Routine
2021 Words Left Unsaid
First Assistant Camera:
2019 Simpati
2020 A Message To My Ex
2021 Colours of life
2021 Late Night
2021 Routine
2021 Words Left Unsaid
2023 Angela
Producer:
2019 Simpati
2020 A Message To My Ex
2021 Colours of life
2021 Late Night
2021 Routine
2021 Words Left Unsaid
2023 Angela
Screenplay:
2019 Simpati
2020 A Message To My Ex
2021 Colours of life
2021 Late Night
2021 Routine
2021 Words Left Unsaid
2023 Angela
Sound:
2019 Simpati
2020 A Message To My Ex
2021 Colours of life
2021 Late Night
2021 Routine
2021 Words Left Unsaid
2023 Angela
Writer:
2019 Simpati
2020 A Message To My Ex
2021 Colours of life
2021 Late Night
2021 Routine
2021 Words Left Unsaid
2023 Angela
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.