Clay Christiansen

Birthplace:
Emery, Utah, USA

Clay Christiansen is an American organist who previously played for the Salt Lake Tabernacle organ and the Mormon Tabernacle Choir. He accompanied the Choir in Salt Lake City and when it was on tour. Christiansen gave organ recitals in the Salt Lake Tabernacle and the Conference Center.  Christiansen had a fascination with music from an early age. He was born in the small city of Emery, Utah, in 1949. He would play on the piano for hours on end. When neighbor children would come to play he would rather stay in and practice the piano. He played his first piano solo, "We Thank Thee, O God, for a Prophet", in church at the age of six. He played by ear until the age of eight when he took his first piano lessons. He was the accompanist for his church Sunday School and Priesthood services and a substitute ward organist at the age of eleven.  Christiansen has a bachelor's degree from Brigham Young University and masters and Ph.D. in Music Composition from the University of Utah (1988). From 1972 to 1982 Christiansen was the organist for St. Mark's Episcopal Cathedral in Salt Lake City. Christiansen was also organist at Congregation Kol Ami, a Jewish synagogue in Salt Lake City. From 1982 to 2018 he had been one of the Tabernacle Organists.  Christiansen and his wife, Diane, are the parents of 13 children. Christiansen is also a composer. He wrote the music to the hymn "In Fasting We Approach Thee". He has written a broad variety of choral, piano and organ compositions and transcriptions. His works appear in the catalogs of MorningStar Music Publishers, Shawnee Press, Jackman Music Press and SDG Press.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.