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Ahmed Asjad (b. 2005)

Alias:
Ahamed

Birthplace:
Puttalam,Sri Lanka

Born:
July 14, 2005

Biography from TheMovieDB

Ahmed Asjad Born in Colombo and a Diploma holder in Digital Marketing, he specializes in Digital PR mainly for the film industry. His areas of expertise include marketing of movies by promoting them through Digital Platforms, creating PR, and working as a film Digital publicist. he has currently served as a digital publicist for film artists and directors and managed movie production companies. he have worked on more than 60+ films, serve as Head of Digital Marketing for Indian companies, and working in movie distribution in Sri Lanka.

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Additional information:

The Search Form


Film Production

Digital Producer:
????  Anveshan
????  Red and Follow

Public Relations:
2022  7 ¹/²
2022  EVIL
2022  Foreign Sarakku
2022  Not Reachable
2022  Oonkaram
2022  Oru Melisana Kodu
2023  Kidugu
????  21.4
????  Anveshan
????  Haiwaan
????  METH
????  Milir
????  Red and Follow

Publicist:
2021  Manamagizhselvan
2021  Sithai
2022  7 ¹/²
2022  EVIL
2022  Foreign Sarakku
2022  Not Reachable
2022  Oonkaram
2022  Oru Melisana Kodu
2023  1982 Anbarasin Kaadhal
2023  Kidugu
2023  Meippada Sei
2023  Naayaadi
2023  Vil Vithai
2024  Siragan
2024  White Rose
????  21.4
????  Anveshan
????  Haiwaan
????  Ilamai Enum Poongatru
????  METH
????  Milir
????  Red and Follow
????  Room
????  Uzhaipalar Thinam

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.