A work in constant progress (and occasional regress).
Alias:
Basundara Murba Anggana
Birthplace:
Yogyakarta, Indonesia
B.M. Anggana is a producer, theatre artist, curator & dramaturg. Founder, director & playwright of Komunitas Sakatoya, a collective that focuses on arts management and ecological theatrical works. Together with Sakatoya, his works have been performed on various platforms. He is the producer of Monisme (2023) directed by Riar Rizaldi, which has been screened at various world festivals such as FID Marseille, Open City Documentary Festival, Black Canvas Contemporary Film Festival, Bucharest International Experimental Film Festival, São Paulo International Film Festival, Adelaide Film Festival, Singapore International Film Festival, Jogja-Netpac Asian Film Festival and Doc Fortnight MoMA. In addition, he is also a producer for Natasha Tontey's works, such as Of Other Tomorrows Never Known (2023) and Garden Amidst the Flame (2022), as well as the film A Tale of The Thieves (2019) directed by Erlangga Fauzan and Osmosia (2023) by Fioretti Vera. In 2019, he was appointed as the Program Director at the Indonesia Dramatic Reading Festival and in 2021-2023 he was appointed as the Performance Curator at ARTJOG. In 2020, he achieved the Professional Development Training – Management Production at Art Center Melbourne, fully funded by the Australian Council of the Art.
Line Producer:
2022 Dressing Up Father
Producer:
2019 A Tale of the Thieves
2022 Dressing Up Father
2022 Garden Amidst the Flame
2023 Fossilis
2023 Monisme
2023 Of Other Tomorrows Never Known
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.