Yoichiro Kawaguchi

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Working on the artistic side of Computer Graphics since the 1970’s, Yoichiro’s prolific career began in 3D Computer Animation at Kyushu University (BA) and University of Tsukuba (MFA). Soon after receiving his degrees, he applied his interest in nature to creating GROWTH Model, a Self-Organizing approach to developing a formative algorithm of a complex life form. The resulting paper and works he submitted to SIGGRAPH 1982 contributed to the emerging field of representing natural phenomenon. Since the mid 1980s he has been active in the international community, showing at venues such as Images du Futur in Montreal, ISEA, Ars Electronica, the Venice Biennale, and at SIGGRAPH. He has taught at the University of Tsukuba, and since 1998, at the University of Tokyo. Kawaguchi is a tireless supporter of our community, enthusiastically sharing his work with other artists around the globe. He greets students and colleagues with the same warmth and sincere interest in sharing, continuing to inspire others to follow his lead in explorations with personal aesthetics in the digital arena.  Recently, his interest in collaborations led him to work with performers, merging his dynamic imagery of natural fantasy forms with the movements and forms of human dancers. Similarly, he has collaborated with researchers working on new forms of electronic image output, ranging from the early pioneers of high definition video to those who are bringing digital imagery to our tangible everyday environment through designs on clothing and sculpture. His current research includes exploring large-scale plastic sculptures using newly available materials.

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Animation:
1990  Flora

Director:
1988  Embryo
1990  Flora
1995  Gigalopolis
2002  Cytolon
2009  Eggy

Graphic Designer:
1988  Embryo
1990  Flora
1995  Gigalopolis
1998  Luminous Visions
2002  Cytolon
2009  Eggy

Producer:
1988  Embryo
1990  Flora
1995  Gigalopolis
1998  Luminous Visions
2002  Cytolon
2009  Eggy

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.