A work in constant progress (and occasional regress).
Camera Operator:
2021 Lo que pudo ser 2084
2023 Sinuhé
Cinematography:
2021 Lo que pudo ser 2084
2023 Sinuhé
Coordinating Producer:
2019 The Perfect Man
2021 Lo que pudo ser 2084
2023 Sinuhé
Director:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Olimpo, Andalucía
2023 Sinuhé
Director of Photography:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
Editor:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
Musician:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
Producer:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
Sound:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
Sound Effects Editor:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
Sound Mixer:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
Sound Recordist:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
Special Effects:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
Stunt Double:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
VFX Artist:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
Writer:
2019 Carlitos, te presento al mundo. Un filme de Gustavo Benavides
2019 The Perfect Man
2019 Zapatillas asesinas
2020 20
2020 Final Exam
2021 Lo que pudo ser 2084
2023 Astarté
2023 Olimpo, Andalucía
2023 Sinuhé
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.