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Miguel Gómez Abad (b. 1992)

Alias:
Miguel G. Abad

Birthplace:
Santiago de Compostela, A Coruña, Galicia, Spain

Born:
September 15, 1992

Biography from TheMovieDB

Miguel Gómez Abad (09/15/1992, Santiago de Compostela), is a graduate in Art History from the University of Santiago de Compostela, is Higher Technician in Audiovisual Production and Graduated in Communication Audiovisual by the University of Vigo. Regular collaborator since 2021 of the film magazine A Cuarta Parede. His first audiovisual project with a certain impact was a short documentary entitled "O fuxir do tempo", screened at the Lugo International Author Film Week in September 2016. As of this date, he develops tasks of script, direction and assembly in audiovisual works of fiction, some of them having the occasional tour of festivals and awards such as Albores (2017), Ti tamén (2019), o What remains of us (2021), the latter with more than 40 selections and 7 prizes.

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Additional information:

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Film Production

Director:
2018  Pensamentos Para Xiana
2019  You Too
2021  42º 47´38.9´´N 8º 30´15.8´´O (Coordenadas)
2021  O Que Queda De Nós
2023  Cando O Tempo Acabe

Editor:
2018  Pensamentos Para Xiana
2019  You Too
2020  Sergio Da Veiga: O gaiteiro esquecido da montaña
2021  42º 47´38.9´´N 8º 30´15.8´´O (Coordenadas)
2021  O Que Queda De Nós
2023  Cando O Tempo Acabe

Writer:
2018  Pensamentos Para Xiana
2019  You Too
2020  Sergio Da Veiga: O gaiteiro esquecido da montaña
2021  42º 47´38.9´´N 8º 30´15.8´´O (Coordenadas)
2021  O Que Queda De Nós
2023  Cando O Tempo Acabe

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.