Andrew Payne

Gallery Unavailable

Andrew Payne has a degree in Fine Art and was a postgraduate printmaking student at the Slade School of Art in London, where he gained a Higher Diploma in Fine Art in 1980. His art education gave him a strong interest in the representation of light in landscape painting, particularly the work of the 17th century Dutch landscape painter Aelbert Cuyp and the work of artists such as J.M.W. Turner, John Constable and Atkinson Grimshaw.  For many years he made colour photographs of the landscape within walking distance of his house. This landscape is not exotic – it is the riverside in the centre of an English town. Now he makes short films showing the effects of light in this landscape – the interaction of light with river water or the projection of shadows into his home by sunlight.  He captures what is easily overlooked as we move through a landscape. Writing by the British painter Paul Nash is relevant to this work. Nash wrote about the 'unseen landscapes' of England in a Country Life magazine article in May 1938: "The landscapes I have in mind are not part of the unseen world in the psychic sense, nor are they part of the Unconscious. They belong to the world that lies, visibly, about us. They are unseen merely because they are not perceived; only in that way can they be regarded as invisible."  His camera is motionless, with the only movement occurring within the frame of the film. The films are structured with sequences of images or combinations of two moving images on a single screen running for 1 to 5 minutes in duration. The most recent work makes use of time-lapse photography consisting of single shots.  His work has been screened in film festivals and in art galleries along with work by artists working in other media. As well as being exhibited widely in the UK, his films have also been shown internationally – in Europe, the USA, Canada, India, Vietnam, and Korea.

Additional information:

The Search Form


Director:
2021  Light on a wall 2

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.