A work in constant progress (and occasional regress).
Art Direction:
1954 Confession Under Four Eyes
1957 Die Frühreifen
1959 Melody and Rhythms
1961 Und sowas nennt sich Leben
Production Design:
1951 Gangsterpremiere
1954 Confession Under Four Eyes
1956 Waldwinter
1957 Die Frühreifen
1957 The Count of Luxemburg
1958 Ihr 106. Geburtstag
1958 Münchhausen in Afrika
1959 Melody and Rhythms
1959 Notes from a Gynecologist's Diary
1959 Peter schießt den Vogel ab
1959 Rebel Flight to Cuba
1960 Sweetheart of the Gods
1961 Adieu, Lebewohl, Goodbye
1961 Und sowas nennt sich Leben
1962 Sherlock Holmes and the Deadly Necklace
1962 The Secret of the Black Trunk
1962 The Terror of Doctor Mabuse
Set Decoration:
1951 Gangsterpremiere
1954 Confession Under Four Eyes
1954 Little Friends
1956 Waldwinter
1957 Die Frühreifen
1957 The Count of Luxemburg
1958 Ihr 106. Geburtstag
1958 Münchhausen in Afrika
1959 Melody and Rhythms
1959 Notes from a Gynecologist's Diary
1959 Peter schießt den Vogel ab
1959 Rebel Flight to Cuba
1960 Sweetheart of the Gods
1961 Adieu, Lebewohl, Goodbye
1961 Und sowas nennt sich Leben
1962 Sherlock Holmes and the Deadly Necklace
1962 The Secret of the Black Trunk
1962 The Terror of Doctor Mabuse
Set Designer:
1937 Der Schimmelkrieg in der Holledau
1941 Uncle Krüger
1951 Gangsterpremiere
1954 Confession Under Four Eyes
1954 Little Friends
1956 Waldwinter
1957 Die Frühreifen
1957 The Count of Luxemburg
1958 Ihr 106. Geburtstag
1958 Münchhausen in Afrika
1959 Melody and Rhythms
1959 Notes from a Gynecologist's Diary
1959 Peter schießt den Vogel ab
1959 Rebel Flight to Cuba
1960 Sweetheart of the Gods
1961 Adieu, Lebewohl, Goodbye
1961 Ordered to Love
1961 Und sowas nennt sich Leben
1962 Sherlock Holmes and the Deadly Necklace
1962 The Secret of the Black Trunk
1962 The Terror of Doctor Mabuse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.