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Teo Wey Yinn (b. 1994)

Alias:
Wey Yinn
Wey Yinn Teo

Birthplace:
Malaysia

Born:
August 15, 1994

Biography from TheMovieDB

Wey Yinn Teo is a Kuala Lumpur based film worker, composer, sound designer, pianist, and analog photographer. Her career mainly revolves around filmmaking, and she is an alumni of Berlinale Talents and the Kyoto Filmmaker’s Lab in 2022. Her works in sound and music often drifts away from the realms of reality and truth, where the soundscape lives, breathes, and dances with the picture.

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Additional information:

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Film Production

Additional Photography:
2015  Return to Nostalgia

Director:
2015  Return to Nostalgia
2023  Enflightenment

Editor:
2015  Return to Nostalgia
2023  Enflightenment

Original Music Composer:
2015  Return to Nostalgia
2022  where time stood still
2023  Enflightenment
2023  Pendatang

Producer:
2015  Return to Nostalgia
2022  where time stood still
2023  Enflightenment
2023  Pendatang

Sound Designer:
2015  Return to Nostalgia
2022  A Worm, Whatever Will Be, Will Be
2022  where time stood still
2023  Enflightenment
2023  Pendatang

Sound Director:
2015  Return to Nostalgia
2022  A Worm, Whatever Will Be, Will Be
2022  where time stood still
2023  Enflightenment
2023  Pendatang

Sound Post Production Coordinator:
2015  Return to Nostalgia
2022  A Worm, Whatever Will Be, Will Be
2022  where time stood still
2023  Enflightenment
2023  Pendatang

Sound Recordist:
2015  Return to Nostalgia
2020  Zombitopia
2022  A Worm, Whatever Will Be, Will Be
2022  where time stood still
2023  Enflightenment
2023  Pendatang

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.