Béatrice Thiriet

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Music:
1994  Coming to Terms with the Dead
1995  Pueblo en vilo
1996  L'Âge des possibles
1996  Still Waters Run Deep
1999  The Specialist
2000  Nadia and the Hippos
2006  Lady Chatterley
2012  Relativity Explained to Children
2017  Tuschinski's Dream
2020  Fires in the Dark

Musical:
1994  Coming to Terms with the Dead
1995  Pueblo en vilo
1996  L'Âge des possibles
1996  Still Waters Run Deep
1999  The Specialist
2000  Nadia and the Hippos
2002  Les pygmées de Carlo
2006  Lady Chatterley
2012  Relativity Explained to Children
2017  Tuschinski's Dream
2020  Fires in the Dark

Original Music Composer:
1994  Coming to Terms with the Dead
1995  El pasajero clandestino
1995  Pueblo en vilo
1996  L'Âge des possibles
1996  Still Waters Run Deep
1999  The Specialist
2000  Nadia and the Hippos
2001  La voleuse de Saint-Lubin
2002  Les pygmées de Carlo
2006  All the Beauty of the World
2006  Lady Chatterley
2007  Those Who Remain
2012  Relativity Explained to Children
2012  The Orphan Plus Minus an Arm
2013  Qissa
2014  Bird People
2015  Astragal
2017  Tuschinski's Dream
2019  The Song of Scorpions
2020  Fires in the Dark

Sound:
1994  Coming to Terms with the Dead
1995  El pasajero clandestino
1995  Pueblo en vilo
1996  L'Âge des possibles
1996  Still Waters Run Deep
1999  The Specialist
2000  Nadia and the Hippos
2001  La voleuse de Saint-Lubin
2002  Les pygmées de Carlo
2006  All the Beauty of the World
2006  Lady Chatterley
2007  Those Who Remain
2012  Relativity Explained to Children
2012  The Orphan Plus Minus an Arm
2013  Qissa
2014  Bird People
2015  Astragal
2017  Tuschinski's Dream
2019  The Song of Scorpions
2020  A Very Animated War
2020  Fires in the Dark

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.