A work in constant progress (and occasional regress).
Alias:
Frank Reichert
Franz Reicher
George H. Lloyd
Birthplace:
Munich, German Empire [now Germany]
Born:
December 2, 1875
Died:
January 19, 1965
Frank Reicher (December 2, 1875 – January 19, 1965) was a German-born American stage and film actor, director and producer. He is best known for playing Captain Englehorn in the 1933 film King Kong. Reicher made his Broadway debut the year he came to America playing Lord Tarquin in Harrison Fiske's production of Becky Sharp, a comedy by Langdon Mitchell based on William Makepeace Thackeray’s Vanity Fair. His early career was spent in legitimate theater on and off Broadway. He was head of the Brooklyn Stock Company when Jacob P. Adler performed The Merchant of Venice in Yiddish while the rest of the cast remained in English. Reicher was for a number of years affiliated with the Little Theatre on West Forty-Fourth Street as an actor and manager and would remain active on Broadway as actor, director or producer well into the 1920s. On stage, Reicher starred in such plays as the first Broadway production of Georg Kaiser's From Morning to Midnight (as the cashier), and the original production of Percy MacKaye's The Scarecrow (in the title role). Frank Reicher is probably more familiar to modern audiences as a supporting character actor in films. He began his cinema career with an uncredited role in the 1915 film The Case for Becky and would go on to work in over two hundred motion pictures. He is probably best remembered for playing the character of Captain Englehorn in King Kong and The Son of Kong, and for his work in such films as The Secret Life of Walter Mitty (1947) and Kiss Tomorrow Goodbye (1950). His last Hollywood role was in the very first theatrical Superman movie, Superman and the Mole Men, in 1951. Frank Reicher died at a hospital in Inglewood, California, aged 89. He was survived by his sister and a brother. His interment was at Inglewood Park Cemetery.
Dialogue:
1930 Girl of the Port
Director:
1915 Mr. Grex of Monte Carlo
1915 The Case of Becky
1915 The Chorus Lady
1915 The Clue
1915 The Secret Sin
1916 For the Defense
1916 Pudd'nhead Wilson
1916 The Love Mask
1916 Witchcraft
1917 An American Widow
1917 Betty to the Rescue
1917 Castles for Two
1917 Lost and Won
1917 The Black Wolf
1917 The Eternal Mother
1917 The Inner Shrine
1917 The Sacrifice
1917 Unconquered
1918 The Only Road
1918 The Prodigal Wife
1918 The Sea Waif
1919 Suspense
1919 The American Way
1919 The Black Circle
1919 The Trap
1921 Behind Masks
1929 Mister Antonio
1930 Girl of the Port
1931 We're switching to Hollywood
Presenter:
1915 Mr. Grex of Monte Carlo
1915 The Case of Becky
1915 The Chorus Lady
1915 The Clue
1915 The Secret Sin
1916 For the Defense
1916 Pudd'nhead Wilson
1916 The Love Mask
1916 Witchcraft
1917 An American Widow
1917 Betty to the Rescue
1917 Castles for Two
1917 Lost and Won
1917 The Black Wolf
1917 The Eternal Mother
1917 The Inner Shrine
1917 The Sacrifice
1917 Unconquered
1918 The Only Road
1918 The Prodigal Wife
1918 The Sea Waif
1919 Suspense
1919 The American Way
1919 The Black Circle
1919 The Trap
1921 Behind Masks
1929 Mister Antonio
1930 Girl of the Port
1931 We're switching to Hollywood
Producer:
1915 Mr. Grex of Monte Carlo
1915 The Case of Becky
1915 The Chorus Lady
1915 The Clue
1915 The Secret Sin
1916 For the Defense
1916 Pudd'nhead Wilson
1916 The Love Mask
1916 Witchcraft
1917 An American Widow
1917 Betty to the Rescue
1917 Castles for Two
1917 Lost and Won
1917 The Black Wolf
1917 The Eternal Mother
1917 The Inner Shrine
1917 The Sacrifice
1917 Unconquered
1918 The Only Road
1918 The Prodigal Wife
1918 The Sea Waif
1919 Suspense
1919 The American Way
1919 The Black Circle
1919 The Trap
1921 Behind Masks
1929 Mister Antonio
1930 Girl of the Port
1931 We're switching to Hollywood
Screenplay:
1915 Mr. Grex of Monte Carlo
1915 The Case of Becky
1915 The Chorus Lady
1915 The Clue
1915 The Secret Sin
1916 For the Defense
1916 Pudd'nhead Wilson
1916 The Love Mask
1916 Witchcraft
1917 An American Widow
1917 Betty to the Rescue
1917 Castles for Two
1917 Lost and Won
1917 The Black Wolf
1917 The Eternal Mother
1917 The Inner Shrine
1917 The Sacrifice
1917 Unconquered
1918 The Only Road
1918 The Prodigal Wife
1918 The Sea Waif
1919 Suspense
1919 The American Way
1919 The Black Circle
1919 The Trap
1921 Behind Masks
1929 Mister Antonio
1930 Anna Christie
1930 Girl of the Port
1931 We're switching to Hollywood
Writer:
1915 Mr. Grex of Monte Carlo
1915 The Case of Becky
1915 The Chorus Lady
1915 The Clue
1915 The Secret Sin
1916 For the Defense
1916 Pudd'nhead Wilson
1916 The Love Mask
1916 Witchcraft
1917 An American Widow
1917 Betty to the Rescue
1917 Castles for Two
1917 Lost and Won
1917 The Black Wolf
1917 The Eternal Mother
1917 The Inner Shrine
1917 The Sacrifice
1917 Unconquered
1918 The Only Road
1918 The Prodigal Wife
1918 The Sea Waif
1919 Suspense
1919 The American Way
1919 The Black Circle
1919 The Trap
1921 Behind Masks
1929 Mister Antonio
1929 Paris Bound
1930 Anna Christie
1930 Girl of the Port
1931 We're switching to Hollywood
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.