A work in constant progress (and occasional regress).
Alias:
ماھیر حەسەن
Birthplace:
Sulaymaniyah, kurdistan region
Born:
January 10, 1966
Born on 10 January 1963 in The Arabat town of Sulaimaniyah province, he completed his primary education in Arbab, visited Sulaimaniyah several times with his father until he later settled in Sulaimaniyah, and then completed secondary education. In 1981, he went to the Institute of Fine Arts in Sulaimaniyah, the theatre department. In 1988, he formed a family love, and now has two sons and two daughters, Kader, Kodiak, Koshanu Anya. His programs: Participated in the 33rd Theatre Festival, including the Colorful Art Team ( 15 ). He joined the Kashkol Program from 1992 to 1996 in the Program R Established In 1998, he established the Hamangi Program, and in 2004 he was all colorful and Hemerang in Maher's writing. In 2013, he established the Patripotprogram. In 2013, he played a major role in the constitution film, one of the best Kurdish films presented in many cities and towns in Kurdistan. From 2013 to 2016 he participated in the Patricia program in all programs around his head In 2014, he played his head in the drama of Maruf's home, one of Kurdistan's best dramas. Played a major role in the Qamarmir drama in 2014. In 2015, he played a major role in Golmaz drama. He has participated in the 18th tree He continues to serve the Kurds with the artwork.
Producer:
2023 Agony
Writer:
???? Maruf's House
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.