A work in constant progress (and occasional regress).
Born:
January 1, 1948
Director:
1993 Die Lok
Executive Producer:
1993 Die Lok
2017 Werner Nekes - Das Leben zwischen den Bildern
Producer:
1993 Die Lok
2002 Forget Baghdad: Jews and Arabs - The Iraqi Connection
2004 Schräge Zeit
2005 Before Flying Back to Earth
2005 Gisela
2005 Locked Up
2005 Palette revisited
2010 Dancing Dreams
2012 Pixelschatten
2014 FEMMEfille
2015 Himmelverbot
2015 Sonita
2016 Departure
2017 Revolution of Sound - Tangerine Dream
2017 Werner Nekes - Das Leben zwischen den Bildern
2018 Hans Blumenberg - Der unsichtbare Philosoph
2019 Bellini and Mantegna: Renaissance Rivals
2019 Die Verwandlung
2020 5 Houses
2020 Roundabout Art
2020 Schocken, on the Verge of Consensus
???? The Fabulous World of Doctor Cadéot
Production Director:
1993 Die Lok
2002 Forget Baghdad: Jews and Arabs - The Iraqi Connection
2004 Schräge Zeit
2005 Before Flying Back to Earth
2005 Gisela
2005 Locked Up
2005 Palette revisited
2010 Dancing Dreams
2012 Pixelschatten
2014 FEMMEfille
2014 Tristia: A Black Sea Odyssey
2015 Himmelverbot
2015 Sonita
2016 Departure
2017 Revolution of Sound - Tangerine Dream
2017 Werner Nekes - Das Leben zwischen den Bildern
2018 Hans Blumenberg - Der unsichtbare Philosoph
2019 Bellini and Mantegna: Renaissance Rivals
2019 Die Verwandlung
2020 5 Houses
2020 Roundabout Art
2020 Schocken, on the Verge of Consensus
???? The Fabulous World of Doctor Cadéot
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.