A work in constant progress (and occasional regress).
Alias:
Joan Mary Cusack
琼·库萨克
瓊安‧庫薩克
Birthplace:
New York City, New York, USA
Born:
October 11, 1962
Joan Cusack (born October 11, 1962) is an American actress. She is the daughter of Nancy (née Carolan) and Dick Cusack. Her father was an advertising executive, writer and actor, and her mother was a math teacher. Her siblings - Susie Cusack, John Cusack, Ann Cusack and Bill Cusack also act. Her family is of Irish descent. Raised in Evanston, Illinois, Cusack was actively encouraged to explore her creativity by her parents, and as a child she joined the Piven Theater Workshop. She went on to learn and perform improvisation at the Story Theater and The Ark. Later she attended the University of Wisconsin-Madison, graduating with a bachelor's degree in English. Whilst at university, Cusack took some small film roles, but her big break came after graduation, when she joined the cast of the legendary Saturday Night Live. However, she only stayed for a season before moving on to explore other projects. In 1987, she produced a memorable turn in the acclaimed Broadcast News (1987), and she was Oscar-nominated for her performance in Working Girl (1988). Other notable films include Addams Family Values (1993), Grosse Pointe Blank (1997) and In & Out (1997), which earned her a second Oscar nomination. She also provided, superbly, the voice of Jessie the Yodeling Cowgirl in Toy Story 2 (1999) and Toy Story 3 (2010). On television, she scored a role on Shameless, with her work garnering her an Emmy nomination. Joan Cusack is married to an attorney, Dick Burke. They have two sons - Dylan and Miles.
Story:
1991 The Cabinet of Dr. Ramirez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.