Marc Lapadula (d. 2022)

Died:
August 9, 2022

Marc Lapadula was born in 1960. He earned a bachelor’s degree in English from Penn in 1983, an MA in creative writing from the University of East Anglia in 1984, and an MFA in theater arts and dramaturgy from the University of Iowa Playwrights’ Workshop in 1987. He was a visiting lecturer at Penn between 1992 and 2009, and from 1991 to 2013, he created and ran Johns Hopkins’ screenwriting program. He taught screenwriting seminars in Yale University’s film studies program from 1992 until his death.  Mr. Lapadula was a prolific playwright and screenwriter. His work includes award-winning stage plays, screenplays, and film productions. His plays, including StripHer, Not by Name, and Two Shakes, have been produced in New York off-Broadway, England, Pennsylvania, Washington, D.C., Baltimore, and Iowa. He had several screenplays commissioned or optioned, including Distant Influence and At Risk, and screen adaptations of Mikhail Bulgakov’s Heart of a Dog and Miguel de Unamuno’s Saint Emmanuel the Good, Martyr. He produced Angel Passing, starring Hume Cronyn and Teresa Wright, which premiered at the Sundance Film Festival and won the grand prize at WorldFest Houston. He also co-produced Mentor, which premiered at The Tribeca Film Festival.  His former students wrote, directed, or produced dozens of critically acclaimed films including La La Land, (500) Days of Summer, The Disaster Artist, and The End of the Tour, and have scripted for television shows including Family Guy, Scrubs, Law and Order: SVU, and Queen Sugar. In 2009, Mr. Lapadula received a Distinguished Faculty Award from the University of Pennsylvania. He received the 2009 Outstanding Teaching Award from the Hopkins Masters in Creative Writing and the Heritage Commission of Delaware County Award for Outstanding Contributions to Historic Architectural Preservation in 2011.

Additional information:

The Search Form


Producer:
1998  Angel Passing
2019  Saving Robin Williams

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.