Bennet McStonefield (b. 1998)

Birthplace:
Germany

Born:
March 25, 1998

Born in the heart of Germany but now a creative force in the vibrant landscape of South Korea, Bennet McStonefield stands as a testament to youthful innovation in the world of cinema. With a passion for storytelling that transcends boundaries, Bennet has carved out a niche as a versatile director, seamlessly moving between music videos, commercials, and fictional films with an effortless flair that belies his age.  From the pulsating beats of music videos to the succinct storytelling of commercials, Bennet McStonefield has demonstrated an innate ability to capture the essence of every project, infusing it with a distinct visual language that resonates with audiences worldwide. Drawing inspiration from their multicultural upbringing, Bennet brings a unique perspective to each piece, blending Western and Eastern influences to create a cinematic experience that is both captivating and thought-provoking.  Despite his young age, Bennet has already left an indelible mark on the industry, earning accolades for their creative vision and meticulous attention to detail. With an unwavering commitment to pushing boundaries and challenging conventions, Bennet continues to redefine the possibilities of storytelling, inspiring a new generation of filmmakers to dream big and reach even greater heights in the world of cinema.

Additional information:

The Search Form


Assistant Camera:
2022  Gefühle

Director:
2022  Gefühle
????  Tears of War

Screenplay:
2022  Gefühle
????  Tears of War

Assistant Director:
2004  Extra 3

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.