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Matthew R. Cunningham

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Alias:
Matthew Cunningham

Biography from TheMovieDB

Matthew's recent works include concept, vehicle, and environment design for: Aquaman, Godzilla: King of the Monsters, George R.R. Martin's Nightflyers, and Marvel Studio's Runaways. As an automotive designer, Cunningham has lead projects and teams on future vehicles and systems design for companies such as Toyota and Mack Trucks, often authoring concepts intended for market, 10 to 20 years in advance.  He is an alumni of The Art Center College of Design in Pasadena and Pratt Institute in Brooklyn, where he studied industrial, transportation, and entertainment design, and as a result, can thoroughly respond to the perennial question, 'Which is better, New York or L.A.?'  Cunningham is an international lecturer on creativity and design theory, giving presentations as far afield as India and Greece. He teaches automotive design at Art Center and concept design at the Los Angeles Academy of Figurative Art. His automotive design work was recently featured in Robb Report and Robb Report Singapore, shortly following his teams' success as a top 10 finalist in the Automobility L.A. 2060 design competition, alongside corporations such as Honda and Herman Miller. A world-building future scenario project which was written, designed, and directed by Cunningham.  Feel free to contact Matthew with any work or press related inquiries.

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Film Production

Concept Artist:
2021  The Suicide Squad
2024  Godzilla x Kong: The New Empire

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.