José María Ciganda

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Camera Department Manager:
2002  The Life Jacket Is Under Your Seat

Camera Operator:
1988  Desde la tierra
1989  Without Asking Permission
1990  Onetti, Portrait of a Writer
1991  The Forgotten Land
1994  The Chimera of the Coast
1997  Dieste: the Consciousness of Form
1998  The Implacable Purity of Oblivion
2000  The Recourse of Memory
2002  The Life Jacket Is Under Your Seat

Director:
1987  La jeringa
1988  Desde la tierra
1989  Without Asking Permission
1990  Onetti, Portrait of a Writer
1991  The Forgotten Land
1994  The Chimera of the Coast
1997  Dieste: the Consciousness of Form
1998  The Implacable Purity of Oblivion
2000  The Recourse of Memory
2002  The Life Jacket Is Under Your Seat

Director of Photography:
1987  La jeringa
1987  Voices For a Story
1988  Desde la tierra
1988  Octavio Podestá
1989  Without Asking Permission
1990  Onetti, Portrait of a Writer
1991  The Forgotten Land
1991  The Rocha Wetlands: The Secret of the Waters
1992  India Muerta
1992  La rambla montevideana
1994  The Chimera of the Coast
1997  Dieste: the Consciousness of Form
1998  The Implacable Purity of Oblivion
2000  The Recourse of Memory
2002  The Life Jacket Is Under Your Seat
2011  Manyas, La Película
2018  Life on Board

Screenplay:
1987  La jeringa
1987  Voices For a Story
1988  Desde la tierra
1988  Octavio Podestá
1989  Without Asking Permission
1990  Onetti, Portrait of a Writer
1991  The Forgotten Land
1991  The Rocha Wetlands: The Secret of the Waters
1992  India Muerta
1992  La rambla montevideana
1994  The Chimera of the Coast
1997  Dieste: the Consciousness of Form
1998  The Implacable Purity of Oblivion
2000  The Recourse of Memory
2002  The Life Jacket Is Under Your Seat
2011  Manyas, La Película
2018  Life on Board

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.