A work in constant progress (and occasional regress).
Birthplace:
New York City, New York
Larissa Dali is a talented actress known for her dynamic and intense performances in the thriller and drama genres. She made a notable impression in the film *Becky*, where she portrayed a deeply complex character—a delusional, traumatized, psychotic woman. Her role required her to delve into psychologically demanding territory, demonstrating her ability to bring raw, dark characters to life with depth and authenticity. Currently, Larissa is preparing for another film, an intense thriller/drama set to start filming soon. Her dedication to character work is a significant aspect of her craft, as she is focused on fully embodying the emotional and psychological essence of her roles. She even incorporates a morning routine designed to help her “drop into her body and vessel,” ensuring that she’s grounded and present, which enhances her ability to connect with her character on a deeper level. In addition to her acting prowess, Larissa possesses skills that support her career in the film industry, such as developing a strong, autonomous sense of self—a quality she’s also exploring in an empowerment course she's creating. Her commitment to character authenticity, coupled with a disciplined routine that includes physical training and introspection, positions her as an actress who brings both physical and emotional intensity to her roles. Larissa Dali is on an upward trajectory in her acting career, consistently refining her craft, preparing rigorously for each role, and balancing her career with various creative and personal projects. This dedication to both personal and professional growth adds layers to her performances, making her a valuable asset to the industry.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.