A work in constant progress (and occasional regress).
Alias:
Obarima Kofi Ofosu-Yeboah
Birthplace:
Ghana
Born in Ghana, Kofi Ofosu-Yeboah is following in the footsteps of his ancestors, Djibril Diop Mambèty and Fela Kuti. The cinema is his weapon of choice. His is a trajectory marked with a poetics of refusals. His lens is a river running through a thousand villages, reflecting the hope and aspirations of the African people. With a BFA in Television Production from the National Film and Television Institute in Accra, and an MFA from Columbia College Chicago Cinema Art + Science, he now considers himself an apostate of the academy and commercial cinema. This is a position that stems from his renewed faith in Third Cinema and a commitment to making work and championing film pedagogy that directly impacts social change. Ofosu-Yeboah’s work spans four continents. He has taught television at the National Film and Television Institute in Accra and participated in a residency at China Radio and TV Association, Beijing, and Serbia’s Documentary Master Class (InterDoc). In 2014, he received a fellowship from The Gamechangers Project, a US-based national fellowship program for emerging filmmakers of color. He is also a recipient of the Albert P. Weisman Award, Chicago, and The City of Chicago’s Department of Cultural Affairs and Special Events (DCASE) Individual Artists Program (IAP) Grant Award, among others. Kofi Ofosu-Yeboah has developed media content for the National Black Programming Consortium’s (NBPC) Black Public Media. The filmmaker has presented work at the annual convening of the University Film and Video Association (UFVA) at American University in Washington, D.C. and Montana State University in Bozeman. Aside from completing post-production in Chicago on his newest short, Akata, Ofosu-Yeboah continues with development on his debut feature, Mangoes and Coffins, set in the land of his birth, Ghana. In 2016, he will present new work at the prestigious Escuela Internacional de Cine y TV (EICTV) in Bauta, Cuba.
Director:
2021 Public Toilet Africa
Editor:
2021 Public Toilet Africa
Producer:
2021 Public Toilet Africa
Writer:
2021 Public Toilet Africa
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.